A good frame, but not a masterpiece.
A multigenerational but somewhat cursory history of a fictional Rembrandt painting.
Though it relies a bit heavily on chance, Kwon’s plot is a good one—fit for a film: The novel begins in mid-17th-century Amsterdam, where Joseph Hurwitz, the teenage son of a poor Jewish maid, begins an artistic apprenticeship with his mother’s employer, the famed Rembrandt van Rijn. Blessed with prodigal talent, Joseph becomes Rembrandt’s protégé, inciting the jealousy of Rembrandt’s paying pupils, who, fueled by their anti-Semitism, eventually explode in violence. Joseph’s only legacy is a masterful portrait of a wealthy Jewish mother and daughter (upon which he and Rembrandt collaborated), signed with his name, “Hurwitz.” The book’s second section leaps centuries forward to World War II and the Einsatzstab Reichsleiter Rosenberg—the division of the Nazi government dedicated to seizing valuable art from Jews and destroying work with “objectionable” subjects or authors. A crooked art dealer reluctantly becomes a collaborator but helps a Jewish family escape to Switzerland when the Nazis set their sights on the family’s art collection—which includes the “Hurwitz” painting. Left with his pick of the Jewish paintings, and suspecting it’s a misattributed Rembrandt, the dealer also sends the portrait to Switzerland for safekeeping. But when he dies suddenly, so does the secret of its authorship; the painting makes its way across the ocean to New York and ultimately to a wall in a Brooklyn College building. In 1990 (in the book’s most incredulous twist of fate), it’s recognized by a woman whose family escaped Nazi persecution in Amsterdam when she was a child—a direct descendant of the painting’s subjects. Unfortunately, though the momentum of its action is engaging, the prose is clumsy. In the first two sections, Kwon includes many historical details, but these passages often feel encyclopedic, not integrated into the story itself; lines like, Rembrandt “rejected traditional methods that tended to undermine his dedication to realism” feel like something out of an art history book. Likewise, characters remain flat since they don’t stay in one setting long enough to develop fully.
A good frame, but not a masterpiece.Pub Date: June 21, 2012
ISBN: N/A
Page Count: 96
Publisher: Telemachus Press
Review Posted Online: Sept. 10, 2012
Review Program: Kirkus Indie
In more ways than one, a tale about young creatures testing their wings; a moving, entertaining winner.
A fifth-grade New Orleans girl discovers a mysterious chrysalis containing an unexpected creature in this middle-grade novel.
Jacquelyn Marie Johnson, called Jackie, is a 10-year-old African-American girl, the second oldest and the only girl of six siblings. She’s responsible, smart, and enjoys being in charge; she likes “paper dolls and long division and imagining things she had never seen.” Normally, Jackie has no trouble obeying her strict but loving parents. But when her potted snapdragon acquires a peculiar egg or maybe a chrysalis (she dubs it a chrysalegg), Jackie’s strong desire to protect it runs up against her mother’s rule against plants in the house. Jackie doesn’t exactly mean to lie, but she tells her mother she needs to keep the snapdragon in her room for a science project and gets permission. Jackie draws the chrysalegg daily, waiting for something to happen as it gets larger. When the amazing creature inside breaks free, Jackie is more determined than ever to protect it, but this leads her further into secrets and lies. The results when her parents find out are painful, and resolving the problem will take courage, honesty, and trust. Dumas (Jaden Toussaint, the Greatest: Episode 5, 2017, etc.) presents a very likable character in Jackie. At 10, she’s young enough to enjoy playing with paper dolls but has a maturity that even older kids can lack. She’s resourceful, as when she wants to measure a red spot on the chrysalegg; lacking calipers, she fashions one from her hairpin. Jackie’s inward struggle about what to obey—her dearest wishes or the parents she loves—is one many readers will understand. The book complicates this question by making Jackie’s parents, especially her mother, strict (as one might expect to keep order in a large family) but undeniably loving and protective as well—it’s not just a question of outwitting clueless adults. Jackie’s feelings about the creature (tender and responsible but also more than a little obsessive) are similarly shaded rather than black-and-white. The ending suggests that an intriguing sequel is to come.
In more ways than one, a tale about young creatures testing their wings; a moving, entertaining winner.Pub Date: Nov. 11, 2017
ISBN: 978-1-943169-32-0
Page Count: 212
Publisher: Plum Street Press
Review Posted Online: Feb. 22, 2018
Kirkus Reviews Issue: April 15, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A YA novel that treats its subject and its readers with respect while delivering an engaging story.
In the ninth book in the Bluford young-adult series, a young Latino man walks away from violence—but at great personal cost.
In a large Southern California city, 16-year-old Martin Luna hangs out on the fringes of gang life. He’s disaffected, fatherless and increasingly drawn into the orbit of the older, rougher Frankie. When a stray bullet kills Martin’s adored 8-year-old brother, Huero, Martin seems to be heading into a life of crime. But Martin’s mother, determined not to lose another son, moves him to another neighborhood—the fictional town of Bluford, where he attends the racially diverse Bluford High. At his new school, the still-grieving Martin quickly makes enemies and gets into trouble. But he also makes friends with a kind English teacher and catches the eye of Vicky, a smart, pretty and outgoing Bluford student. Martin’s first-person narration supplies much of the book’s power. His dialogue is plain, but realistic and believable, and the authors wisely avoid the temptation to lard his speech with dated and potentially embarrassing slang. The author draws a vivid and affecting picture of Martin’s pain and confusion, bringing a tight-lipped teenager to life. In fact, Martin’s character is so well drawn that when he realizes the truth about his friend Frankie, readers won’t feel as if they are watching an after-school special, but as though they are observing the natural progression of Martin’s personal growth. This short novel appears to be aimed at urban teens who don’t often see their neighborhoods portrayed in young-adult fiction, but its sophisticated characters and affecting story will likely have much wider appeal.
A YA novel that treats its subject and its readers with respect while delivering an engaging story.Pub Date: Jan. 1, 2004
ISBN: 978-1591940173
Page Count: 152
Publisher: Townsend Press
Review Posted Online: Jan. 26, 2013
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
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