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PROMISES TO KEEP

BLUFORD HIGH SERIES #19

A sharp, shockingly believable look at the inner-city life of a student.

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Langan (Survivor, 2013, etc.), the editor of the YA Bluford High series and author of several in the series, offers a cleareyed look at the challenges faced by an inner-city high school student and his family.

The walls are closing in on 15-year-old Tyray Hobbs. Tough and big for his age, he’s an academic failure who’s been bullying other kids for years. Everyone is scared of him, even the few guys who hang out with him. That all changes in an instant when Darrell Mercer, Tyray’s longtime victim, turns the tables and publicly overpowers him. His humiliation complete and no longer feared, Tyray is now openly taunted and ostracized by all his fellow classmates. With violent crime and drug dealing commonplace in Tyray’s world, he responds to defeat by procuring a gun from someone in his neighborhood and going after Darrell in a dark alley. Darrell escapes the tense situation and helps stop any further violence, including Tyray’s suicide attempt. But when word of the gun and the abortive shootout reaches Tyray’s father, he reacts with fury. Nonetheless, he helps his younger son hide the weapon; it’s too late for the father to help Warren, his older son, who’s already in prison for a gun-related crime. In a stinging assertion, Tyray’s father tells him he’s no good and he’ll end up in prison like his brother. But Tyray isn’t yet ready to change. Further along in his journey, he’s guided by a compassionate teacher; his rueful brother, Warren; and Lark, a genuinely caring girl. Finally, by helping someone else out of a dangerous spot, he gains understanding and hope for redemption. Although the story follows a somewhat predictable YA trajectory, it doesn’t condescend to its audience or minimize the stakes. Action and characters ring true, and the language is conversational rather than unfailingly correct, though the author doesn’t attempt to be overly hip with the latest street slang. The tense, realistic story shows how quickly situations among young people can turn violent—even deadly—despite the best efforts of school officials and parents.

A sharp, shockingly believable look at the inner-city life of a student.

Pub Date: Jan. 1, 2013

ISBN: 978-1591943037

Page Count: 151

Publisher: Townsend Press

Review Posted Online: Aug. 21, 2013

Kirkus Reviews Issue: Sept. 15, 2013

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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WE WERE LIARS

From the We Were Liars series

Riveting, brutal and beautifully told.

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A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 16, 2014

Kirkus Reviews Issue: April 1, 2014

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