The long-awaited conclusion to the trilogy begun with 1993’s Make Lemonade delivers on its promise. More than a year has passed since the events of True Believer (2001), and two summers of Summer Science have taught LaVaughn more than she ever could have learned at her underfunded inner-city school. Now she’s studying after school at WIMS: Women in Medical Science, a program created by Dr. Moore, an inner-city success story who’s returned to give poor girls the support she never had. LaVaughn works hard at WIMS, dreaming of one day becoming a nurse. But though LaVaughn is indebted to the program, she has suspicions about Dr. Moore’s history, suspicions that lead her into the conflict between what’s right and what’s necessary. In heartbreaking free-verse chapters, LaVaughn discovers that helpful adults are not perfect and that forgiveness is necessary even for the unforgivable. Despite the book’s oversimplification of religion and a conclusion that would seem pat if it were not so emotionally right, this portrayal of the dignity of poverty is quite the tearjerker. The audacity of hope, indeed. (Fiction. 13-15)
Pub Date: Feb. 1, 2009
ISBN: 978-0-06-158304-9
Page Count: 496
Publisher: Bowen Press/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2008
The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes...
In a riveting novel from Myers (At Her Majesty’s Request, 1999, etc.), a teenager who dreams of being a filmmaker writes the story of his trial for felony murder in the form of a movie script, with journal entries after each day’s action.
Steve is accused of being an accomplice in the robbery and murder of a drug store owner. As he goes through his trial, returning each night to a prison where most nights he can hear other inmates being beaten and raped, he reviews the events leading to this point in his life. Although Steve is eventually acquitted, Myers leaves it up to readers to decide for themselves on his protagonist’s guilt or innocence.
The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes written entirely in dialogue alternate with thoughtful, introspective journal entries that offer a sense of Steve’s terror and confusion, and that deftly demonstrate Myers’s point: the road from innocence to trouble is comprised of small, almost invisible steps, each involving an experience in which a “positive moral decision” was not made. (Fiction. 12-14)Pub Date: May 31, 1999
ISBN: 0-06-028077-8
Page Count: 280
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 1999
Paulsen recalls personal experiences that he incorporated into Hatchet (1987) and its three sequels, from savage attacks by moose and mosquitoes to watching helplessly as a heart-attack victim dies. As usual, his real adventures are every bit as vivid and hair-raising as those in his fiction, and he relates them with relish—discoursing on “The Fine Art of Wilderness Nutrition,” for instance: “Something that you would never consider eating, something completely repulsive and ugly and disgusting, something so gross it would make you vomit just looking at it, becomes absolutely delicious if you’re starving.” Specific examples follow, to prove that he knows whereof he writes. The author adds incidents from his Iditarod races, describes how he made, then learned to hunt with, bow and arrow, then closes with methods of cooking outdoors sans pots or pans. It’s a patchwork, but an entertaining one, and as likely to win him new fans as to answer questions from his old ones. (Autobiography. 10-13)
Pub Date: Feb. 1, 2001
ISBN: 0-385-32650-5
Page Count: 150
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2000
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