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LEROY POTTS MEETS THE MCCROOKS

In this Yearling First Choice Chapter Book, Sathre (Three Kind Mice, p. 228, etc.) and Barnes-Murphy (who illustrated Frances Barnes-Murphy's Kings and Queens of Britain, 1996) gather their considerable wit and trot out a tale that will flapdoodle and delight beginning readers. It's a ``yippee-i-o kind of day'' when Leroy Potts, after saving up enough to buy a farm, sets off to ask Miss Hattie Mae Williston—a right good cook, and that's important to Leroy—to marry him. But a freak summer storm interrupts him, sending a double bolt of lightning that, ``quick as biscuits burn,'' takes his memory. And that's the moment that the McCrook brothers, Skete and Barney, show up to invite the confused Leroy to play a game of Rob and Run and point him at a restaurant. Leroy robs the valuables there—knives and forks and ``what's left of that blueberry pie.'' The McCrooks give Leroy another chance to play the game right, directing him this time to a passing train. But Leroy's ``look tough, sound gruff'' approach, plus his growling stomach, don't work any better this time. The McCrooks clarify their objective and send Leroy to the bank, where a knock to the head finally restores Leroy's memory, results in the catching of the McCrooks, and brings Miss Hattie Mae to a breathless ``Oh, yes, Leroy!'' A tall-tale contrivance in a wholly controlled, believable entertainment. (Fiction. 5-8)

Pub Date: April 1, 1997

ISBN: 0-385-32192-9

Page Count: 48

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1997

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I WISH YOU MORE

Although the love comes shining through, the text often confuses in straining for patterned simplicity.

A collection of parental wishes for a child.

It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.

Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)

Pub Date: April 1, 2015

ISBN: 978-1-4521-2699-9

Page Count: 40

Publisher: Chronicle Books

Review Posted Online: Feb. 15, 2015

Kirkus Reviews Issue: March 1, 2015

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RAPUNZEL

Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)

Pub Date: Oct. 1, 2008

ISBN: 978-0-399-24772-9

Page Count: 32

Publisher: Putnam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 2008

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