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AMERICA’S BOY

A MEMOIR

An uneven but still evocative and honest look at one man’s long self-gestation.

Growing up closeted, creative and overweight in the Ozarks is not as painful as one might imagine.

Rouse’s seriocomic debut memoir has several flaws, but lack of compassion is definitely not one of them, even though he had more than enough reason to grow up bitter. He came of age in the 1970s; his tiny southern Missouri hometown, Granby, was the kind of place where “trailers outnumber homes and teeth.” It was, of course, not the most welcoming place for a kid like Rouse, who liked to dress up in women’s clothes, had crushes on boys and acted generally “different” (Ozarks code for “gay”). But somehow the constant spurning and rejection that he experienced doesn’t translate here into anger. The first (and better) half of the memoir features Rouse’s self-mocking recollections of a childhood that seemed to whipsaw from giddy highs to, more commonly, crushing lows of destructive insecurity. Rouse proves his mettle further with a lovingly skewed portrait of his family. Mom is a highly dramatic nurse who constantly answers her own questions as if on the stand (“That is correct, sir!”), while routine-loving Dad calls everyone “honey” and leaves the Ozarks only once a year, to bring the family to see his beloved St. Louis Cardinals. The author lulls his readers with seductive evocations of stifling summers at the Rouse cabin: wet, buggy nights; chaotic family gatherings; bottle rockets being shot off on the Fourth of July. Reality comes crashing in about halfway through with a tragedy that shatters everything, and while Rouse expertly sketches his subsequent road to personal fulfillment, later sections suffer somewhat without the poeticism of his earlier pages.

An uneven but still evocative and honest look at one man’s long self-gestation.

Pub Date: April 6, 2006

ISBN: 0-595-94934-8

Page Count: 288

Publisher: Dutton

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Feb. 1, 2006

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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