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ELIZABETH I

A mildly revisionist political biography of the last Tudor monarch. As presented by MacCaffrey (History/Harvard), the resolutely unsentimental Elizabeth I is less the indomitable, manifestly destined virago of English national myth than a wary practitioner of royal Realpolitik, gingerly testing the waters before plotting any course in the unpredictable seas of late Renaissance statecraft. In fact, given the conventional heroic picture of the Elizabethan Age, the Virgin Queen proves a surprisingly cautious, even timid, helmsperson here, loath to commit her authority to a consistent path in domestic politics or to expend her nation's slim human and material resources on overseas adventures. She appears as a compulsive consensus-builder always conscious of the fragility of her constituency and the challenges to her authority posed by her sex, the religious schisms still racking the English polity, and the constant intrigues of her Scottish cousin and rival, Mary Stuart. MacCaffrey organizes his study well, defining and dealing with each of the major political issues of Elizabeth's reign in turn—notably, the domestic religious situation, its international repercussions, and Elizabeth's interactions with Mary and the monarch's other rivals, suitors, and aspiring successors. In the author's convincing portrait, we see a political establishment in the throes of a sometimes uncertain transition between a waning feudalism and a nascent, still very uncertain, modernity. But the almost exclusively political focus here threatens to engulf its human subject in the sometimes bewildering machinations of Tudor diplomacy: MacCaffrey's speculations, for instance, that the spectacular theatricality of the Elizabethan court ``probably helped to fulfil the emotional needs of a lonely and isolated human being'' are an exception to his strict reliance on the documentary record. A solid, scholarly study that will please historians—but leave latter-day monarchists still searching for the human essence of the fascinating Elizabeth I. (Illustrations)

Pub Date: Nov. 1, 1993

ISBN: 0-340-56167-X

Page Count: 472

Publisher: Routledge

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 1, 1993

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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