Next book

NOTHING REMAINS THE SAME

REREADING AND REMEMBERING

Uneven, but with enough stunning moments to make this a must for avid readers.

Now nearing 50, literary critic Lesser (The Amateur, 1999, etc.) revisits books she loved in her youth and asks: What kind of person was I then? What have I become? To what extent—if any—did literature contribute?

The author declares early on that “vertigo” is perhaps the best word to describe her new encounters with old literary friends from Don Quixote to A Hazard of New Fortunes, so it’s only appropriate that she ends this engaging volume with an essay about Hitchcock’s Vertigo, which she has seen many times and greatly admires. In a tone that varies from playful to pedantic, earnest to nostalgic to analytical, Lesser proceeds to reread and react to works she selected by applying several criteria: it must be “strong”; she must remember her first reading of it; and she must derive from it some sort of fresh insight or experience. Some books do not surprise by their appearance here (The Education of Henry Adams, The Tempest, The Adventures of Huckleberry Finn, Paradise Lost); others do (I Capture the Castle, by Dodie Smith, and Black Dogs, by Ian McEwan). Lesser declares that neither Anna Karenina nor Middlemarch retains its magic for her; she decides not to reread Catcher in the Rye, and she now finds Caliban more appealing than she once did, Prospero less so. Some of her observations are riveting, as when she says that Don Quixote and Huck Finn are in fundamental ways more alive for us than either Cervantes or Twain, and her thoughts on The Winter’s Tale are illuminating. But not every insight is a revelation. Lesser labels Richard II “relatively obscure” and flaunts her résumé like a nervous job applicant, making certain we notice her years at Harvard, Cambridge, Berkeley, and the Columbia School of Journalism. Oh, by the way, she’s read Howells in the bathtub in a Venice hotel.

Uneven, but with enough stunning moments to make this a must for avid readers.

Pub Date: May 7, 2002

ISBN: 0-618-08293-X

Page Count: 256

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2002

Categories:
Next book

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Close Quickview