by Will Christopher Baer ‧ RELEASE DATE: March 6, 2000
and lock in new members to his cult.
Please deposit four quarters to read the following, about a novel that bears bits of colored glass and has sex coming from
it in waves. A warning: Some will not grasp, and if they grasp will not like, Baer’s crazed world of death-chocolates and bloody strawberries, all done in a neon noir express influenced by the Siamese Bills, Burroughs, and Gibson. Baer’s superbly stylized debut novel, Kiss Me, Judas (1998), is Penny Dreadful’s prequel. That one opened with Internal Affairs Division detective Phineas Poe ratting on his own agency in Denver, recovering from a nervous breakdown after his wife’s death, picking up Jude in a bar, being given a horse tranquillizer, then waking in a bathtub full of ice with a kidney missing, his side stapled closed and a phone nearby with the note "Phone 911 to save your life." A wonderful opening, with unrelenting invention throughout. There’s no dimming of same here, either, although for sheer weirdness the storytelling rockets to even higher levels of glowing semiconsciousness. The missing-kidney ploy is replaced by The Game, in which Chrome, the boyfriend of the exquisite Goo (a.k.a. Eve), and assisted by Mingus the Breather (a.k.a. Matthew Roar), finds starved, bruised, and bombed- out Tremblers in alleys and bites out, chews, and swallows their tongues. Phineas has returned penniless from South America and Mexico and is put up by Eve/Goo. He calls his star-crossed buddy Detective Walter Moon for help, and Moon enlists him in finding homicide cop Jimmy Sky, who has faded from sight along with 13 other deep-cover narcs and vice cops. Thus at last Phineas is led to master villain Theseus the Glove. Demanding, violently lighted changes of brainscape keep you blinking. The baffled reader often feels like someone sitting at a red light with eyes shrunk to pinpricks and horns honking hysterically behind. Baer’s over-the-top magic, however, will attract
and lock in new members to his cult.Pub Date: March 6, 2000
ISBN: 0-670-88920-2
Page Count: 224
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2000
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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