by William Emons Cooper ‧ RELEASE DATE: July 9, 2010
A healthy reminder that James Fenimore Cooper’s mythicized frontier was seen through the eyes of, and measured against, a...
Cooper, a librarian, examines the place of the gentry in James Fenimore Cooper’s Littlepage trilogy.
As James Fenimore Cooper (JFC) was born to New York state’s frontier gentry, he brought an insider’s romanticized notion to the role played by that class in the development of colonial and post-colonial society. The author follows the evolution of the landed gentry, from its origins in a quasi-feudal patron system with its fiefdom of fealty and service, through its transformation by the English to landlords and merchants on the lookout for trade, troop provisioning and land speculation—a definite shift from gentleman to businessman—and finally, through class identification and intermarriage, the upper crust fancied themselves as “a group with similar interests and lifestyles like the English landed gentry,” fox hunting and all. Cooper delineates their aristocratic pretensions, their ties to the Episcopalian Church and the Federalists, and their sense of entitlement due to wealth, education and breeding. JFC came out of a tradition that looked with horror upon the hoi polloi exercising political power, and approached his own political responsibilities with “a noblesse oblige attitude of duty.” In the gentry, JFC argued, resided the qualities of bravery and charity, wisdom and honesty, a class that radiated comfort and gentility. Certainly there were exemplars within the gentry who lived up to these standards, but Cooper feels JFC overstates their superiority. The gentry held no divine writ to civilize the great unwashed masses, and they were hardly above self-interest: “In actual fact, the landed gentry’s interests”—namely the production of wheat and enhancement of property value—“dominated their attitudes toward their tenants and their political actions, and much of their culture and education was due to their wealth, and not some inherent good.” Cooper could have used more specific examples of Janus-faced gentry, as well as more examples of the messy republican spirit of the frontier to buttress his argument, though few will quarrel with his class critique of JFC.
A healthy reminder that James Fenimore Cooper’s mythicized frontier was seen through the eyes of, and measured against, a smug aristocracy.Pub Date: July 9, 2010
ISBN: 978-1-4327-6142-4
Page Count: 54
Publisher: N/A
Review Posted Online: Sept. 27, 2010
Review Program: Kirkus Indie
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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