by William Grimes ‧ RELEASE DATE: April 1, 1993
New York Times reporter Grimes's preface characterizes the cocktail as a quintessentially American invention that expresses our fluent, nontraditional, fun-centered culture, and that fits our role as the world's supplier of idle amusement and cheap thrills. His ensuing history of the cocktail is in the same spirit. Between an opening tribute to the ultimate cocktail—the martini (in which Grimes notes various affected variations on the ostentatious rejection of vermouth in the ritual of its preparation)—and a concluding observation on the current, yuppie- driven dominance of vodka (a development that has turned the cocktail into ``nothing more than a goosed-up fruit drink'' but that has also brought back the martini in a ``purer'' form), Grimes looks at American drinking habits from the Mayflower's passage on. (Typically, he cites that ship's impressive stores of beer without considering beer-drinking in historical context or distinguishing it from the imbibing of hard liquor.) Along the way, the author entertains with a parade of passing potables from the hot-rum juleps with which early Americans began their days to such ephemeral inventions as the Timber Doodle that Charles Dickens encountered on his 1840 US tour, the Blue Blazer that mixers actually set on fire and fanned into spectacular flames, and the silly Slippery Nipple that marked that Cocktail Age's decline. Grimes sings the praises of the elegant 19th-century saloon and its professional bartenders, and he mourns the degeneration of the art wrought by Prohibition, the Depression, WW II, and postwar commercial developments that led to liquor companies, not local bartenders, inventing new mixed drinks. Unlike last year's entertaining and scholarly analysis from German historian Wolfgang Schivelbusch (Tastes of Paradise), 1992, this is a facile, frothy mix that goes down smoothly and proves diverting enough. (Twenty line drawings.)
Pub Date: April 1, 1993
ISBN: 0-671-76724-0
Page Count: 208
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1993
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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