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HELLO, GORGEOUS

BECOMING BARBRA STREISAND

Even though we know the answers to most of the questions—Will our heroine win the coveted role of Fanny Brice in Funny Girl?...

Hollywood chronicler Mann (How to Be a Movie Star: Elizabeth Taylor in Hollywood, 2010, etc.) divulges the blood, sweat and tears that propelled a diva’s rise to stardom.

Barbra Streisand is such a cultural institution that it sometimes seems as if she sprang fully grown from the head of the entertainment industry. Not so, argues the author in this surprisingly suspenseful and masterfully paced biography. Covering the fundamental years from 1960 to 1964, he shines the spotlight on an awkward yet ambitious teenage girl who aspired to play grand theatrical roles. To Streisand, singing came so easily that she didn’t regard it as work, and she practically had to be pushed into appearing at Greenwich Village nightclubs. When a friend suggested that she approach singing a song as if acting a part in a play, however, she made a creative breakthrough that led to appearances on TV talk shows, a Broadway role in I Can Get It for You Wholesale and a recording contract at Columbia Records. Streisand didn’t accomplish this alone, and Mann appropriately gives credit to the agents, accompanists, directors and mentors who brought her idiosyncratic style to a generation hungry for new idols. He also delves into her paradoxical mixture of self-confidence and -doubt, disclosing that she privately felt insecure about her looks despite publicly flaunting an outlandish flair for fashion and a loopy sense of humor. Mann structures the book by seasons, further dividing these into a series of vignettes that read like scenes from a novel peopled with extraordinary characters.

Even though we know the answers to most of the questions—Will our heroine win the coveted role of Fanny Brice in Funny Girl? Will she live happily ever after with her Prince Charming, Elliott Gould?—this book makes getting to them a treat.

Pub Date: Oct. 9, 2012

ISBN: 978-0-547-36892-4

Page Count: 592

Publisher: Houghton Mifflin Harcourt

Review Posted Online: Sept. 12, 2012

Kirkus Reviews Issue: Oct. 1, 2012

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Awards & Accolades

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  • IndieBound Bestseller


  • Pulitzer Prize Finalist


  • National Book Award Winner

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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