by William L. Shirer ‧ RELEASE DATE: Sept. 13, 1976
Foreign correspondent Shirer, it can conventionally be said, had led a full, rich life—at least from the age of twenty-one when, as a "raw Iowa youth," late editor of the Coe College Cosmos, he landed a job on the fabled Paris Tribune, never to go home again. But his satisfaction comes across mainly as self-satisfaction, combined with relief at escaping American "bigotry and banality"; his experience of foreign places reduces to platitudes about the "history within every cathedral, church, palace, museum and gallery, and in every park, cemetery, square and street"; his account of the life he lived through is flat, his report of people and events more gossipy than revealing. And, sadly, his is mean-spirited: the uncomely are described with contempt, celebrities are trailed to their often-ignominious ends. One searches, indeed, for clues to Shirer's incontrovertible success. Resentment at early snubs? A childhood passion for war news, a penchant for soldiering? Or perhaps sheer aggressiveness: at nine or so he pummeled his "bitchy," "ugly old grandma" into submission, an incident he relates without embarrassment. "The secret of this business is to turn it out fast under pressure," said Chicago Trib correspondent Wales, the day before elevating him to the foreign staff of the home paper. The days on the Paris Trib of Thurber, Elliot Paul, and Eugene Jolas are not without interest, nor his coverage of Lindbergh's arrival in Paris (which won him the promotion); and the Vienna he later shared with John Gunther, Whit Burnett and Martha Foley, Dorothy Thompson and "Red" Lewis, Moura Budberg and H.G. Wells is a wonderment. But the affairs, sexual and otherwise, of a few remarkable personalities cannot redeem a long, cranky, clumsy book. At the close he's off to Gandhi's India and what may be a more inspiring volume two.
Pub Date: Sept. 13, 1976
ISBN: 0316787124
Page Count: 536
Publisher: Simon & Schuster
Review Posted Online: May 23, 2012
Kirkus Reviews Issue: Sept. 1, 1976
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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