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TOO RICH

THE HIGH LIFE AND TRAGIC DEATH OF KING FAROUK

A sympathetic, if somewhat bifurcated, portrait of the deposed Egyptian playboy king. Stadiem (A Class by Themselves, 1980) seems unsure of how to approach his subject, as long stretches of straightforward history alternate with the type of tittle-tattle usually found at checkout counters. He traces Farouk's ouster and his subsequent career as a buffoonish jet-set celebrity back to the treatment accorded him by the colonial British. The chief instrument of British imperialistic policy was, according to Stadiem, Sir Miles Lampson, Britain's ambassador to Egypt and a man bent on having the young monarch—the immensely handsome and popular Farouk came to the throne at 17—toe the line and ``be a good boy'' by acceding to British wishes in the Mideast. British influence in Egypt, Stadiem points out, was in fact one of the major factors in the rise of Egyptian nationalism as envisioned by such figures as Gamal Abdel Nasser and Anwar el- Sadat; it was this nationalism that eventually toppled Farouk. Though this argument is somewhat simplistic, Stadiem buttresses his position with some convincing data. He is less successful when interviewing Farouk's intimates, ranging from many of the women he bedded to his son Ahmed Fuad, who was briefly king of Egypt until the monarchy was abolished. And an inordinate amount of space is devoted to the king's sexual escapades, which, for good or ill, seem to have been fairly humdrum. Prolix and frequently repetitious, and vacillating from the scholarly to the snickering: a disappointing portrait of a potentially fascinating subject. (Photographs—not seen.)

Pub Date: June 14, 1991

ISBN: 0-88184-629-5

Page Count: 448

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1991

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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