by William T. Vollmann ‧ RELEASE DATE: Aug. 1, 2000
Not for the squeamish, certainly. Nonetheless, an intensely readable, often moving, and frequently shocking atlas of modern...
A sprawling urban epic of obsession, by one of our most ambitious (and idiosyncratic) contemporary writers.
Vollmann, in his Seven Dreams series of historical novels about the destruction of native America (The Rifles, 1994, etc.) and in his several works of fiction and nonfiction dealing with the lives of prostitutes in the modern world (The Atlas, 1996, stories; Butterfly Stories, 1993, etc.) has repeatedly demonstrated a prodigious imagination, and the ability to create memorable, if odd or obsessive, characters. But much of his work has also seemed repetitive, burdened with too many detours and authorial asides. This time out, Vollmann has brought these tendencies under control, and the result is a tale that possesses great cumulative power. The plot is relatively simple: Henry Tyler, a down-at-the-heels p.i. in San Francisco, is drawn into the search for a mythic "Queen of the Prostitutes," rumored to hold nocturnal court in the city's seedier precincts. He is still grieving for his lost love, Irene, who committed suicide. Complicating his mourning is the fact that Irene was married to John, his ferociously self-controlled brother. Henry eventually finds the self-styled Queen, but his discovery does little to relieve him of the burden of the past. John fares slightly better; there seems, at the end, at least the slender possibility that he's learned something from his disastrous marriage. The brothers are nicely complex and convincingly odd figures. But the story generates most of its considerable power from the voices of the many prostitutes Henry comes across in his quest. Their tales of addiction and abandonment, of abuse and of survival, are what makes The Royal Family memorable. Vollmann weaves their voices together with the voices of the Tenderloin's other inhabitants—drunks, anonymous johns, wanderers, hustlers—creating a haunting chorus of the lost. He also offers a precise depiction of place, capturing the darker corners of San Francisco with gritty exactitude.
Not for the squeamish, certainly. Nonetheless, an intensely readable, often moving, and frequently shocking atlas of modern degradation and despair.Pub Date: Aug. 1, 2000
ISBN: 0-670-89167-3
Page Count: 800
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2000
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
BOOK REVIEW
by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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