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YOUNG, WHITE, AND MISERABLE

GROWING UP FEMALE IN THE FIFTIES

In a ``sociological memoir'' based on novels, films, sociological studies, and personal experience, Breines (Sociology/Northeastern Univ.) traces the origins of the feminist movement in the 60's to the underlying discontents and conflicts experienced by women growing up in the 50's—a scenario that she explored politically in Community and Organization in the New Left, 1962-68 (1982—not reviewed). Breines characterizes the white middle class of the postwar period as affluent, materialistic, optimistic, family-oriented, conformist, and fearful of blacks, communists, sexual and social deviance (homosexuality and juvenile delinquency), and the Bomb and female sexuality (the bikini bathing suit, named after the nuclear testing site, symbolizes to Breines the destructive power of both). Women living within this culture, the author says, experienced particular conflicts, being ideologically conditioned to pursue marriage, motherhood, companionship even while they enjoyed opportunities for education, meaningful work, sexual expression, and romance. The author derives this characterization from such male-oriented sociological works as The Lonely Crowd, The Organization Man, and A Generation of Vipers. From the feminine perspective, she describes the dynamics of the mythical 50's family, the necessary illusions, the sexual disillusions, the courting rituals, and the allure for young women like herself of alternate cultures—the artistic underground of the Beats, jazz, and Greenwich Village, the appeal of blacks, delinquents, and sexual experimentation. In a moving but only tangentially relevant chapter, she offers as a case study the brief unhappy life of Anne Parsons—daughter of radical sociologist Talcott Parsons—who committed suicide in 1964 at age 33, defeated by a male-dominated mental-health system and by cultural stereotypes that exclude intellectual unmarried women. Breines successfully evokes the intellectual and cultural milieu of white middle-class East Coast women who dominated the women's movement in the Sixties; if her study is flawed by limiting itself to that group, it's still otherwise thoughtful and jargon- free.

Pub Date: June 1, 1992

ISBN: 0-8070-7502-7

Page Count: 288

Publisher: Beacon Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1992

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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