by Yasmina Khadra & translated by John Cullen ‧ RELEASE DATE: May 8, 2007
Perhaps the most frighteningly plausible doomsday scenario yet to appear in fictional treatments of this seemingly insoluble...
The logic of terrorism is taken to a virtually ultimate extent in this bloodcurdling successor to the pseudonymous author’s highly praised novels (The Attack, 2006, etc.).
It opens in Beirut, with its unnamed narrator’s emotional condemnation of this polyglot metropolis corroded by contact with Western values. His conversations with Dr. Jalal, a renegade Arab critic of jihad “rehabilitated” as an enemy of the West, circle around the subject of the narrator’s mission—which has brought him to Lebanon from Baghdad, whence he had moved from his native Bedouin village (Kafr Karam). The story thus told as an extended flashback embraces his experiences as the son of a disabled well-digger, a hopeful university student whose future plans were casualties of the U.S. invasion of Iraq, and his own “re-education” as a victim of foreign invasion. Khadra skillfully solicits our identification with him by creating a persuasively detailed picture of nearly idyllic village life, then he shreds it. The narrator observes the horrific killing of a mentally retarded neighbor whose unstable behavior is misinterpreted by American G.I.s patrolling a highway checkpoint, learns of a missile strike that decimates a wedding party and seethes during a violent search that “shames” his father and his innocent family—and sets him on a vengeful course which is planned to end in a catastrophe “more awesome” than the events of 9/11. This potent novel’s major weakness is its frequent recourse to redundant discursive religious and political argument. Its compensatory strength is in what might be called the anecdotal evidence of injustices and atrocities that motivate its protagonist’s lethal momentum. And when Khadra discloses specific details of his “mission,” the effect strikes like a thunderbolt; your hands all but turn to stone as you turn the pages.
Perhaps the most frighteningly plausible doomsday scenario yet to appear in fictional treatments of this seemingly insoluble crisis. And if it doesn’t scare the hell out of you, you’re not paying enough attention.Pub Date: May 8, 2007
ISBN: 978-0-385-52174-1
Page Count: 304
Publisher: Nan A. Talese
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2007
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BOOK REVIEW
BOOK REVIEW
by Loïc Dauvillier & Yasmina Khadra ; illustrated by Glen Chapron ; translated by Ivanka Hahnenberger
BOOK REVIEW
by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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BOOK REVIEW
by Harper Lee ; edited by Casey Cep
BOOK REVIEW
by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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