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THE STORY OF CHOPSTICKS

Kùai, the hungry younger brother in a large Chinese family, never gets enough to eat. Straight from the fire, the food is too hot to touch. If he waits for it to cool, his brothers beat him to it. Frustrated, Kùai devises a way to get the food first. While his family washes for dinner, Kùai snatches two pieces of kindling, sits down at the table, and spears a steaming sweet potato with one stick and a sizzling chicken chunk with the other. Inspired, his family fetches sticks themselves. They name them Kùai zi, or “quick ones,” after the quick-witted boy. As the story goes, “this was the first time that a family in China ate dinner with sticks instead of their hands.” When Kùai and his brothers whip the sticks out at a wedding buffet, their idea catches on. The wise Mr. Lee commands the family to visit the village elders, whom he convinces that using Kùai zi does not violate any Chinese rules for eating. Word reaches the Emperor and soon, people throughout China start using chopsticks. Compestine (The Runaway Rice Cake, 2000) concocts a delicious blend of fact and fiction. But children may wonder why Kùai can put the too-hot food in his mouth and not in his hands. An author’s note explains the true origins of chopsticks, leaving out Compestine’s fabled details. Back matter also includes directions for using chopsticks and a recipe. Burning questions aside, Compestine’s charming tale deserves a place in the multicultural curriculum. Xuan’s richly colored traditional Chinese cut paper illustrations lend authenticity. (Picture book. 5-10)

Pub Date: Oct. 15, 2001

ISBN: 0-8234-1526-0

Page Count: 32

Publisher: Holiday House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2001

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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ABIYOYO RETURNS

The seemingly ageless Seeger brings back his renowned giant for another go in a tuneful tale that, like the art, is a bit sketchy, but chockful of worthy messages. Faced with yearly floods and droughts since they’ve cut down all their trees, the townsfolk decide to build a dam—but the project is stymied by a boulder that is too huge to move. Call on Abiyoyo, suggests the granddaughter of the man with the magic wand, then just “Zoop Zoop” him away again. But the rock that Abiyoyo obligingly flings aside smashes the wand. How to avoid Abiyoyo’s destruction now? Sing the monster to sleep, then make it a peaceful, tree-planting member of the community, of course. Seeger sums it up in a postscript: “every community must learn to manage its giants.” Hays, who illustrated the original (1986), creates colorful, if unfinished-looking, scenes featuring a notably multicultural human cast and a towering Cubist fantasy of a giant. The song, based on a Xhosa lullaby, still has that hard-to-resist sing-along potential, and the themes of waging peace, collective action, and the benefits of sound ecological practices are presented in ways that children will both appreciate and enjoy. (Picture book. 5-9)

Pub Date: Oct. 1, 2001

ISBN: 0-689-83271-0

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2001

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