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A KILLING IN COSTUMES

Fans of movie memorabilia will have a field day. Others will wonder what all the fuss is about.

A pair of unlikely best friends find that the road to acquiring an unmatched collection of materials for their film memorabilia shop is paved with murder.

Cindy Cooper and Jay Allan aren’t just best buddies, ex-co-stars of the same soap opera, and business partners; they’re also ex-spouses who ended their marriage when they came out to each other. Now, as they struggle to keep Hooray for Hollywood Movie Memorabilia afloat, a possible lifeline emerges in the person of Yana Tosh, an ancient femme fatale of stage and screen who’s used her late husband’s fortune to assemble an ensemble of costumes, knickknacks, and other stuff fans of classic movies would die for. Along with her financial adviser, Ben Sinclair, Yana plans to award a contract for selling items from her formidable collection to either Hooray for Hollywood or Cypress Auctions. Naturally, Cypress is older and richer, with a killer mailing list. So it’s no surprise when Dylan Redman, who runs Cypress’ entertainment memorabilia program, summons Cindy and Jay to his swanky hotel room in Palm Springs and offers to pay them off if they’ll withdraw from the competition. The idea goes against everything the pair stands for, and they indignantly refuse. Next thing they know, Detective Simon Fletcher calls on them to tell them that Dylan’s been poisoned by someone who visited him that afternoon—someone like them. The other suspects include Yana’s son, Warren Limon; Dylan’s assistant, Eydie Jackson; and Ben Sinclair. But readers who’ve seen the classic movies on which Bissonnette keeps dishing gentle dirt won’t be fooled.

Fans of movie memorabilia will have a field day. Others will wonder what all the fuss is about.

Pub Date: Aug. 9, 2022

ISBN: 978-1-63910-086-6

Page Count: 320

Publisher: Crooked Lane

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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CLOSE TO DEATH

Gloriously artificial, improbable, and ingenious. Fans of both versions of Horowitz will rejoice.

What begins as a decorous whodunit set in a gated community on the River Thames turns out to be another metafictional romp for mystery writer Anthony Horowitz and his frequent collaborator, ex-DI Daniel Hawthorne.

Everyone in Riverview Close hates Giles Kenworthy, an entitled hedge fund manager who bought Riverview Lodge from chess grandmaster Adam Strauss when the failure of Adam’s chess-themed TV show forced him and his wife, Teri, to downsize to The Stables at the opposite end of the development. So the surprise when Kenworthy’s wife, retired air hostess Lynda, returns home from an evening out with her French teacher, Jean-François, to find her husband’s dead body is mainly restricted to the manner of his death: He’s been shot through the throat with an arrow. Suspects include—and seem to be limited to—Richmond GP Dr. Tom Beresford and his wife, jewelry designer Gemma; widowed ex-nuns May Winslow and Phyllis Moore; and retired barrister Andrew Pennington, whose name is one of many nods to Agatha Christie. Detective Superintendent Tariq Khan, feeling outside his element, calls in Hawthorne and his old friend John Dudley as consultants, and eventually the case is marked as solved. Five years later, Horowitz, needing to plot and write a new novel on short notice, asks Hawthorne if he can supply enough information about the case to serve as its basis, launching another prickly collaboration in which Hawthorne conceals as much as he reveals. To say more, as usual with this ultrabrainy series, would spoil the string of surprises the real-life author has planted like so many explosive devices.

Gloriously artificial, improbable, and ingenious. Fans of both versions of Horowitz will rejoice.

Pub Date: April 16, 2024

ISBN: 9780063305649

Page Count: 384

Publisher: Harper/HarperCollins

Review Posted Online: Jan. 20, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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DESERT STAR

Not the best of Connelly’s procedurals, but nobody else does them better than his second-best.

A snap of the yo-yo string yanks Harry Bosch out of retirement yet again.

Los Angeles Councilman Jake Pearlman has resurrected the LAPD’s Open-Unsolved Unit in order to reopen the case of his kid sister, Sarah, whose 1994 murder was instantly eclipsed in the press by the O.J. Simpson case when it broke a day later. Since not even a councilor can reconstitute a police unit for a single favored case, Det. Renée Ballard and her mostly volunteer (read: unpaid) crew are expected to reopen some other cold cases as well, giving Bosch a fresh opportunity to gather evidence against Finbar McShane, the crooked manager he’s convinced executed industrial contractor Stephen Gallagher, his wife, and their two children in 2013 and buried them in a single desert grave. The case has haunted Bosch more than any other he failed to close, and he’s fine to work the Pearlman homicide if it’ll give him another crack at McShane. As it turns out, the Pearlman case is considerably more interesting—partly because the break that leads the unit to a surprising new suspect turns out to be both fraught and misleading, partly because identifying the killer is only the beginning of Bosch’s problems. The windup of the Gallagher murders, a testament to sweating every detail and following every lead wherever it goes, is more heartfelt but less wily and dramatic. Fans of the aging detective who fear that he might be mellowing will be happy to hear that “putting him on a team did not make him a team player.”

Not the best of Connelly’s procedurals, but nobody else does them better than his second-best.

Pub Date: Nov. 8, 2022

ISBN: 978-0-316-48565-4

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Sept. 27, 2022

Kirkus Reviews Issue: Oct. 15, 2022

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