As he did in his acclaimed At Gleason's Gym (2007), Lewin conveys the spirit of a Brooklyn institution through sumptuously detailed, luminous watercolors.
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Two lizards, one an unbridled enthusiast and the other a restrained snoot, stumble along a circuitous creative path together, making art through mishap and engaging all kinds of media along the way.
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In free verse as beautiful as the landscape she describes, Martin tells the ecological plight of the chiru, the tiny antelope-like creatures of the northern plains of Tibet.
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