"An often enchanting further display of Byatt's fluent style and far-reaching imagination."
Six rather arbitrarily linked stories (which allegedly explore various "extremes and polarities") from the rococo stylist whose best fiction includes Booker Prize—winning Possession (1990) and the (rather similar) story collection The Djinn in the Nightingale's Eye (1997).
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Four short fairy tales with a contemporary edge, and one novella-length tale that brilliantly transforms a story of middle- age angst into a celebration of serendipity and sex.
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An ambitious, intelligent work that, while aiming to get Britain's swinging '60s down pat, unfortunately scants the usual fictional elements, putting in their place a mordant and always perceptive historical critique.
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Inspired by Matisse paintings, these three splendid stories (two have appeared in the New Yorker) pay homage to the artist as they offer equally memorable verbal portraits of apparently ordinary lives driven by pain and disquiet.
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