A comic-book legend and an acclaimed photographer team up to present a visceral biographical sketch of author and occultist Steve Moore.
Alan Moore (Voice of the Fire, 2009, etc.), whose brilliant oeuvre includes Watchmen, From Hell, and V for Vendetta, has always had a penchant for using the visual medium of graphic literature in unique and innovative ways, a tradition he continues with the aid of esteemed photographer Jenkins in this bizarre but oddly engrossing biography/historical vignette, which originally appeared as solely text in Iain Sinclair’s anthology London: City of Disappearances (2008). A longtime friend (and sometimes mentor) of Alan Moore’s, Steve Moore (no relation) has lived his entire life in the same London house in which he was born, and it is through the lens of his life that Alan Moore presents the history of the neighborhood, Shooter’s Hill. From a Julius Caesar sortie in 55 B.C. to the bandit hordes of the 17th century to the cascade of Nazi bombs during World War II, Alan Moore juxtaposes the area’s history with Steve Moore’s development, from his awkward youth to his discovery of the I Ching to his various scholarly and authorial endeavors, which included forays into the U.K. comic-book scene and a fascination with the occult. Accompanying the narrative, which traverses freely between factual reality and bursts of mystical rhetoric and trippy dreamscapes, is a series of images that range from poignant (the grim, sepia-toned picture of Luftwaffe planes in the London sky) to bizarre (the bloody, severed head of a pig). Alan Moore has always walked a fine line between creating brilliant stories that expand the boundaries of his chosen medium to draw in an audience far larger than comic-book aficionados and presenting head-scratching mind screws that might be better appreciated in an altered state of reality. This is more an example of the latter.
Alan Moore at his Mooriest: inscrutable yet compelling.