GRACE PERIOD

A man returns to his childhood home to bring the life he left behind there to its conclusion, in this translation of a 1973 novel from a celebrated Portuguese novelist.

When Mateus Silva was last in the seaside town where he grew up it was 25 years earlier and he was still a boy called Matinho. Though his father and mother both died 10 years earlier, leaving him the sole proprietor of his crumbling childhood home, Mateus has never tried to sell or rent the property out of a sense that “this detail saved everything else from being a total disaster… [having] a little patch of land that was all his in this big, wide world.” Now, however, he has a pressing reason to sell. Mateus’ longtime girlfriend, Alberta, is dying, and Mateus will use the proceeds from the sale of the house to send her to the Acropolis, a place she has dreamed of visiting since childhood. With this pressing deadline looming, Mateus is content to sell to the first bidder—his former neighbor, Senhor Osório—though doing so brings back the tumultuous childhood memories that sent Mateus and his mother running to Lisbon in the first place. Osório’s wife, Graça, occupies an outsize place in Mateus’ memory. Neither “skinny and anxious like his mother, nor internally serene and protective like Alberta,” Graça’s “vital” beauty proved irresistible both to the boyish Matinho that Mateus once was, and to his father, whose public affair with Graça is what originally fractured the family. By selling the house, Mateus has the opportunity to leave the past behind, but the re-emergence of the much denuded Graça in his life, along with his introduction to her chaotic, sensualist daughter, Natália, and Alberta’s steady, phlegmatic decline forces Mateus to confront the fact that the past may be the only time in his life that still feels worth living. Through prose that is both melancholy and brutally keen, this midcentury master’s eye for the scintillating detail at the heart of even the most mundane observation loses nothing in its translation from its original language, culture, or time.

A fierce examination of the unexamined life.