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THE BOY WITH THE SWORD by Patrick  Matthews

THE BOY WITH THE SWORD

From the Dragon Run series, volume 2

by Patrick Matthews

Pub Date: Aug. 19th, 2019
ISBN: 978-1-73307-770-5
Publisher: Second Story Up

In this middle-grade fantasy sequel, a boy who defeated dragons must confront a powerful magic wielder.

In Book 1 of this series, 12-year-old Alluencien “Al” Pilgrommor earned a zero rank on Testing Day, putting himself and his family in danger. He was sent away, but being zero also allowed Al to survive being bombarded with Potentia, “the source of all magic,” giving him special powers—some remaining untapped. In a great battle, Al poisoned and overthrew the dragons ruling his society, which freed the five races. Now, the grounds outside Castle Surflienne are littered with dragon corpses, and the imperious Magister Trejir arrives, appointing himself ruler. Feeling devastated by his father’s continued rejection and sensing danger from Trejir, Al goes to Dockside, where he learns two disturbing facts: the Feathers—a secret organization that helped Al kill the dragons—are being hunted, and Trejir has taken the boy’s mother hostage. Not only that, Trejir has gotten hold of a dragon egg and means to reestablish tyranny. As Al works to defeat Trejir, he gathers allies and becomes known as the boy with the sword, which is conspicuously a little too big for him. If Al can learn more about his abilities and how to use them in time, his coalition might have a chance. Matthews (Dragon Run, 2013) takes his exciting sword-and-sorcery tale to some unexpected places here, with well-drawn vignettes of Dockside society and a compelling backstory. For example, because the dragons rewrote history and claimed to have created humans, Al is a monster, not a hero, to many—including his own mother. Al’s enjoyably ragtag associates include the spirits of Castle Surflienne’s last human rulers, which inhabit the very stones. Al’s considerable powers are balanced by his feelings of rejection, and he grows through his experiences, learning to plan and think ahead. But diction is sometimes too modern; words like “mom,” “dad,” “guy,” “okay,” and the intensifier “super” take readers out of this medieval-ish world.

Effective worldbuilding, strong character development, and fast-paced action make for an entertaining adventure.