Quibbles aside, this attractive anthology will prove useful.
A seasonal collection of world folk stories.
Arranged according to the calendar, the selected stories sometimes have tangential connections to the holidays or observances denoted, linked only by culture. With all the stories about Chinese New Year, for instance, why choose an unrelated Chinese folk tale like “King of the Forest,” which does not even feature the animals of the Chinese zodiac? However, most stories have a thematic relationship, like the Indian “Rama and Sita” for Diwali and “The Legend of the Poinsettias” from Mexico for Christmas. Some stories are quite unusual (and sophisticated) such as the Inuit “Skeleton Woman” for World Music Day in June. Although the author includes information that Ramadan is the ninth Islamic month, the holiday is listed in June. Many will not understand that the lunar Islamic calendar means that the holiday can occur in any month in a 33-year cycle. This is a problem with other religious lunar calendars as well. The relatively small font and double-column text on some pages may be off-putting to children, but this is probably a book that adults will read aloud from. Corr’s stylized gouache illustrations in vibrant colors include full-bleed pages and smaller vignettes. Short descriptions of the holidays from many cultures and religions, as well as international commemorations, can be found at the end of the volume, but unfortunately, no story sources are included.
Quibbles aside, this attractive anthology will prove useful. (Folk tales. 7-11)Pub Date: Oct. 6, 2016
ISBN: 978-1-84780-868-4
Page Count: 128
Publisher: Frances Lincoln
Review Posted Online: Aug. 29, 2016
Kirkus Reviews Issue: Sept. 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...
The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.
Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)Pub Date: June 18, 2019
ISBN: 978-1-59643-750-0
Page Count: 112
Publisher: First Second
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
An uncomplicated opener, with some funny bits and a clear but not heavy agenda.
Hank Zipzer, poster boy for dyslexic middle graders everywhere, stars in a new prequel series highlighting second-grade trials and triumphs.
Hank’s hopes of playing Aqua Fly, a comic-book character, in the upcoming class play founder when, despite plenty of coaching and preparation, he freezes up during tryouts. He is not particularly comforted when his sympathetic teacher adds a nonspeaking role as a bookmark to the play just for him. Following the pattern laid down in his previous appearances as an older child, he gets plenty of help and support from understanding friends (including Ashley Wong, a new apartment-house neighbor). He even manages to turn lemons into lemonade with a quick bit of improv when Nick “the Tick” McKelty, the sneering classmate who took his preferred role, blanks on his lines during the performance. As the aforementioned bully not only chokes in the clutch and gets a demeaning nickname, but is fat, boastful and eats like a pig, the authors’ sensitivity is rather one-sided. Still, Hank has a winning way of bouncing back from adversity, and like the frequent black-and-white line-and-wash drawings, the typeface is designed with easy legibility in mind.
An uncomplicated opener, with some funny bits and a clear but not heavy agenda. (Fiction. 7-9)Pub Date: Feb. 14, 2014
ISBN: 978-0-448-48239-2
Page Count: 128
Publisher: Grosset & Dunlap
Review Posted Online: Dec. 10, 2013
Kirkus Reviews Issue: Jan. 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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