After more than 12 years in the foster program and 20 incidents of indecent exposure in just the past two years, orphan...
A slow and derivative plot mars this already lackluster debut.
After more than 12 years in the foster program and 20 incidents of indecent exposure in just the past two years, orphan Maggie Mae Mortensen is sent from Albuquerque to small-town Silver City, N.M., to finish out the last few months of her senior year. While she may have a caring guardian and a date to prom with Bridger O’Connell (the town’s luckiest catch), the remote desert setting doesn’t stop her from shifting into the closest animal around her at the full moon or being followed by a pack of wild animals. The tension wears thin as the fear of a mysterious man looking for Maggie Mae is overshadowed by her controlling relationship with Bridger. Despite being stood up at prom for no reason, told that he can’t date local girls after leading her on and a plethora of other abusive situations, Maggie Mae forgives Bridger each time because of his physical attractiveness. What should be a driving force of the novel—the conflict between Shifters and Skinwalkers (evildoers who use stolen skins to change into animals)—is not explained until the very end. More information or an author’s note about this Navajo legend and other Native American beliefs mentioned throughout would have been helpful.Pub Date: Sept. 27, 2011
ISBN: 978-0-8027-2280-5
Page Count: 368
Publisher: Walker
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
Exactly what the title promises.
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK TO SCREEN
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