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RIFKA TAKES A BOW

Unusual and unabashedly charming.

Rifka accidentally finds herself onstage in a Yiddish theater production and speaks her first lines as an actress: “Piff-Paff! Not to worry.”

The Yiddish theater was a vibrant part of immigrant life in New York in the first part of the 20th century. Rifka’s parents are actors who introduce her to the magical world of that theater. She is especially impressed with the way in which her parents can take on the personae of the characters they play, with just a bit of makeup, some props and costumes, and changes in body language. The surrounding elements of the city are also part of the fun. They travel on the subway with its noise and diversity. They eat at the Automat, putting in their nickels and taking out the food. Perlov makes it all come alive, employing a conversational syntax that speaks directly to readers. It is a memoir told with love and nostalgia, for it is her own story, told from a distance of nine decades. Kawa’s illustrations are as magical as any theater experience. She employs a variety of media to turn real places and events into fantasy landscapes from several perspectives, in dreamlike images that are somewhat reminiscent of Chagall. Look closely and there are tiny shapes and designs floating through the larger pictures.

Unusual and unabashedly charming. (afterword) (Picture book. 5-9)

Pub Date: Sept. 1, 2013

ISBN: 978-0-7613-8127-3

Page Count: 32

Publisher: Kar-Ben

Review Posted Online: June 15, 2013

Kirkus Reviews Issue: July 1, 2013

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WAITING IN THE WINGS

Adorable, enchanting, and very ducky indeed.

Feathered newcomers make a memorable theater debut in this latest from actor Andrews and her daughter Hamilton.

Mr. Puddleduck assures his concerned spouse that they’ll find the right place to build a nest for their first clutch of eggs. Exhausted Mrs. P hops into a flower box outside a theater displaying a poster of a performer holding a feathered fan (“That’s a good sign,” says Mr. P). Mrs. P lays her eggs, and Mr. P notes activities inside and outside the building. Peeking in, Mr. P is dazzled by musicians as well as performers wearing glittery costumes: It’s a show! After one rehearsal, Mr. P excitedly quacks and flaps his wings, then feels embarrassed when the performers notice him. He exits but is greeted by Mrs. P’s cacophonous quacking: The newly hatched ducklings, tumbling from the flower box onto the street, must be led to the water, pronto! Mr. P, having learned something about stagecraft, shouts, “Places, everyone!” The ducklings form their own perfect “chorus line,” and the musicians play a marching tune. Indeed, all the performers, as well as various townsfolk, join the parade as the ducklings follow their parents into the water, to a rousing ovation. Bravo to this sweet, gently humorous tale. Readers will be captivated by and root for the protagonists and appreciate the theater setting and denouement. The colorful digital illustrations incorporate lively onomatopoeic words. Human characters are diverse.

Adorable, enchanting, and very ducky indeed. (authors’ note) (Picture book. 5-8)

Pub Date: April 30, 2024

ISBN: 9780316283083

Page Count: 40

Publisher: Little, Brown

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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RAFI AND ROSI MUSIC!

From the Rafi and Rosi series

A welcome, well-researched reflection of cultural pride in the early-reader landscape.

The fourth installment in Delacre’s early-reader series centers on the rich musical traditions of Puerto Rico, once again featuring sibling tree frogs Rafi and Rosi Coquí.

Readers learn along with Rafi and Rosi as they explore bomba, plena, and salsa in three chapters. A glossary at the beginning sets readers up well to understand the Spanish vocabulary, including accurate phoneticization for non-Spanish speakers. The stories focus on Rafi and Rosi’s relationship within a musical context. For example, in one chapter Rafi finds out that he attracts a larger audience playing his homemade güiro with Rosi’s help even though he initially excluded her: “Big brothers only.” Even when he makes mistakes, as the older brother, Rafi consoles Rosi when she is embarrassed or angry at him. In each instance, their shared joy for music and dance ultimately shines through any upsets—a valuable reflection of unity. Informational backmatter and author’s sources are extensive. Undoubtedly these will help teachers, librarians, and parents to develop Puerto Rican cultural programs, curriculum, or home activities to extend young readers’ learning. The inclusion of instructions to make one’s own homemade güiro is a thoughtful addition. The Spanish translation, also by Delacre and published simultaneously, will require a more advanced reader than the English one to recognize and comprehend contractions (“pa’bajo-pa-pa’rriba”) and relatively sophisticated vocabulary.

A welcome, well-researched reflection of cultural pride in the early-reader landscape. (Early reader. 7-9)

Pub Date: Sept. 17, 2019

ISBN: 978-0-89239-429-6

Page Count: 64

Publisher: Children's Book Press

Review Posted Online: July 27, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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