The story works until the last third of the novel, when supposedly brilliant and capable people make some pretty basic...
A biological thriller that mixes a series of “what-if” scenarios as it moves from New York to Europe in the blink of an eye.
Will Foster, also known as Patient-65, escapes from the prison-like medical facility where he’s held captive. Will mounts his escape after weeks of watching the staff and after a few stealthy midnight reconnaissance missions. However, his escape doesn’t go as smoothly as he hoped, and soon the young American finds himself in Europe with no idea of exactly where he is or how he got there. After Will was laid off from his job with a New York City-based advertising company, he maxed out his credit cards and job hunted with no success. Based on a friend’s advice, Will volunteered as a test subject for some pharmaceutical trials. Soon, he found himself strapped to a hospital bed in Prague and injected with substances he couldn’t identify. When Will bolts, his first thought is to look up Julie Ponte, an old love living in Vienna. Although not quite convinced that Will’s situation is as desperate as he claims, Julie comes to rescue Will and then takes him back to her apartment, but they soon discover they’re being tracked. Meredith Morley, an executive with Vyrogen, the company conducting experiments on Will, launches a team of vicious German brothers who specialize in brutality to hunt for the escaped test subject. But Morley doesn’t stop there; she also goes to an old boyfriend for help. He’s the genius behind an ultra-high tech, under-the-radar think tank that specializes in doing the impossible. With both sets of trackers on their heels, Will and Julie reestablish their relationship while trying to stay alive and one step ahead of their pursuers. This is an intelligent but technical novel, one that occasionally includes too much scientific detail.
The story works until the last third of the novel, when supposedly brilliant and capable people make some pretty basic mistakes that propel the cast of characters into an ending that does little but set up an obvious sequel.Pub Date: April 1, 2012
ISBN: 978-1-61145-494-9
Page Count: 336
Publisher: Arcade
Review Posted Online: April 22, 2012
Kirkus Reviews Issue: May 1, 2012
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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