Pro-book and -library quotes on the endpapers and multiple punny book titles in the illustrations add an extra touch of fun.
What could cause the Library Dragon to return (The Library Dragon, 1994)?
Miss Lotty, librarian at Sunrise Elementary School, was once a scaly, book-protecting, fire-breathing dragon, but years ago student Molly Brickmeyer helped melt the scales away by proving children can be trusted with books. Now, Miss Lotty is ready to retire. Though the kids will miss her, she’s sure her successor will carry on her library traditions. Unfortunately, when she arrives for her last day before retirement…Mr. Mike Krochip has replaced all her books with computers and e-readers. The kids profess their love of traditional books until they see the bells and whistles on the e-readers, triggering the return of the Library Dragon, who chomps through every piece of technology she sees until a young redhead saves the day (and the library) again. Deedy and White re-team to bring the Library Dragon into the 21st century. As an entertaining read that broaches the subject of technology’s place in the school media center, this deserves a place alongside its predecessor despite the fact that the resolution of the central conflict is about as realistic as a dragon in the library. White’s brightly colored, squashed and squiggly full-bleed illustrations match the tale for good goofiness.
Pro-book and -library quotes on the endpapers and multiple punny book titles in the illustrations add an extra touch of fun. (Picture book. 4-8)Pub Date: Sept. 1, 2012
ISBN: 978-1-56145-621-5
Page Count: 32
Publisher: Peachtree
Review Posted Online: June 26, 2012
Kirkus Reviews Issue: July 15, 2012
A sweet, soft conversation starter and a charming gift.
A paean to teachers and their surrogates everywhere.
This gentle ode to a teacher’s skill at inspiring, encouraging, and being a role model is spoken, presumably, from a child’s viewpoint. However, the voice could equally be that of an adult, because who can’t look back upon teachers or other early mentors who gave of themselves and offered their pupils so much? Indeed, some of the self-aware, self-assured expressions herein seem perhaps more realistic as uttered from one who’s already grown. Alternatively, readers won’t fail to note that this small book, illustrated with gentle soy-ink drawings and featuring an adult-child bear duo engaged in various sedentary and lively pursuits, could just as easily be about human parent- (or grandparent-) child pairs: some of the softly colored illustrations depict scenarios that are more likely to occur within a home and/or other family-oriented setting. Makes sense: aren’t parents and other close family members children’s first teachers? This duality suggests that the book might be best shared one-on-one between a nostalgic adult and a child who’s developed some self-confidence, having learned a thing or two from a parent, grandparent, older relative, or classroom instructor.
A sweet, soft conversation starter and a charming gift. (Picture book. 4-7)Pub Date: March 1, 2017
ISBN: 978-1-943200-08-5
Page Count: 32
Publisher: Compendium
Review Posted Online: Dec. 13, 2016
Kirkus Reviews Issue: Jan. 1, 2017
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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