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BROTHER, BROTHER

A soppy, at times sanctimonious melodrama that still entertains. (Fiction. 12 & up)

With his grandmother dead, 17-year-old Billy “Brother” Grace has nothing...except a family mystery.

Mem, Brother’s headstrong grandmother, raised him alone. When she dies of breast cancer, he finds a newspaper with a circled photo that looks exactly like him. It’s the son of powerful North Carolina senator Gideon Grayson—could he have a twin he doesn’t know about? Thanks to arrangements made by Mem’s friends, Brother can quit his job at the nursing home and set off in search of family. Unfortunately, his reckless friend Cole has dropped off his 5-year-old little brother, Jack, without knowing that Mem has died. Brother packs up Trooper, his dog, and Jack and heads for Eden, island sanctuary of the Graysons. What Brother finds in this unfamiliar world of privilege is the secret of his ancestry...and of Mem’s life. Carmichael’s sophomore effort lacks the deft, light touch of her debut, Wild Things (2009). The characters are unbelievably good, from perfect Brother to stranger-becomes-girlfriend Kit to Trooper, the psychic dog; the turns of plot, especially at the outset, are unrealistic. Brother’s quest proceeds all too easily, with stranger after stranger going out of their way for him, making his display of control at the close unsatisfying. Though the tale ends with more realism, readers will have to have forgiven a lot of contrivance to get there.

A soppy, at times sanctimonious melodrama that still entertains. (Fiction. 12 & up)

Pub Date: July 30, 2013

ISBN: 978-1-59643-743-2

Page Count: 320

Publisher: Roaring Brook Press

Review Posted Online: May 21, 2013

Kirkus Reviews Issue: June 15, 2013

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BETTER THAN THE MOVIES

From the Better Than the Movies series , Vol. 1

Exactly what the title promises.

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A grieving teen’s devotion to romance films might ruin her chances at actual romance.

Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.

Exactly what the title promises. (Romance. 12-18)

Pub Date: May 4, 2021

ISBN: 978-1-5344-6762-0

Page Count: 368

Publisher: Simon & Schuster

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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