by Douglas Frantz & Catherine Collins ‧ RELEASE DATE: Sept. 9, 1999
A fairly objective look at the easily scorned planned community near Orlando, Fla., created by Disney to incarnate that company’s vision of small-town America. The 5,000-acre town opened in 1996 with a promise of the kind of lifestyle, amenities, infrastructure, and hometown atmosphere Wait Disney himself would have approved of. Husband-and-wife writing team Frantz and Collins, both seasoned journalists (and co-authors of Teachers: Talking Out of School, 1993, etc.), moved to Celebration in 1997, believing “it seemed like the biggest experiment in social engineering since Levittown. . . .” The reality was more mixed. Homeowners, who’d gone through a festive real estate lottery to buy their plots, would face the usual problems with contractors; and the Disney Company didn’t always prove responsive to their complaints. The greatest conflict, though, arose over the community’s school, a unique K—12 system, based on Howard Gardner’s “multiple intelligences,” which eschewed textbooks, tests, and grades in favor of “detailed and personalized assessments.” That kind of unexpected progressiveness, combined with failed promises of funding and equipment, plus poorly prepared teachers, sent 20 families packing after the first school year. Disney then made the public relations error of trying to manipulate the complainants into silence. The authors had forked over $302,000 for their “mid-price” home, a fact that highlights their chief criticism of Celebration: its lack of low-income housing or subsidies for low-paid workers, thus creating a homogeneity that the authors conclude “reflected a narrow definition of who makes up a small town.” Was Disney, they ask, ’selling nostalgia? Or peddling collective amnesia in an America increasingly divided by race and class?” Even though they began to miss literary conversation (few of the homes, they discovered, even had bookshelves) and dinner parties with informed discussion of current affairs, Frantz and Collins opted to stay on in Celebration, at least until they find their version of utopia. Interesting, if not always engaging, and the authors provide a good mix of personal and sociological observation with a decent historical survey of American planned communities.
Pub Date: Sept. 9, 1999
ISBN: 0-8050-5560-6
Page Count: 340
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1999
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by Douglas Frantz and Catherine Collins
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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