An inventive and entertaining introduction to the classic. And that kiss at the end: perfect.
A delightfully entertaining telling of the tale of brave Ulysses.
This slimmed, prose version of Homer’s epic can be read aloud by a lilting narrator, or it can be read silently. All of the characters Ulysses meets on his long journey home are here—the Lotus Eaters, Polyphemus the Cyclops, Aeolus and the spiteful winds, Circe, the Sirens, Calypso, a truly scary Scylla—with a suitable amount of smoothly written text material to flesh out their backgrounds and roles. Pop-up boxes can be activated to provide further interpretive access to the tale. The stained-glass quality of the artwork is enchanting, as are the atmospheric background music and sounds. The interactive features are many and clever. Little hints are given for activating them—jugs do a quick tip to the side, Ulysses’ helmet tinks when touched—but the true joy here is the act of discovering the interactive features, which are not gimmies by any stretch: dragging a storm cloud against the sky to bedevil Ulysses’ boat, figuring out how Penelope weaves and unweaves the shroud, activating Circe’s fireworks or an island volcano, helping Polyphemus hurl a boulder at Ulysses’ ship and watching Poseidon rise from the waves. Readers, in essence, are exploring, just like our man Ulysses. That’s engagement.
An inventive and entertaining introduction to the classic. And that kiss at the end: perfect. (iPad epic app. 10 & up)Pub Date: July 3, 2012
ISBN: N/A
Page Count: -
Publisher: Elastico srl
Review Posted Online: July 30, 2012
Kirkus Reviews Issue: Aug. 15, 2012
BOOK REVIEW
Essential.
A guidebook for taking action against racism.
The clear title and bold, colorful illustrations will immediately draw attention to this book, designed to guide each reader on a personal journey to work to dismantle racism. In the author’s note, Jewell begins with explanations about word choice, including the use of the terms “folx,” because it is gender neutral, and “global majority,” noting that marginalized communities of color are actually the majority in the world. She also chooses to capitalize Black, Brown, and Indigenous as a way of centering these communities’ voices; "white" is not capitalized. Organized in four sections—identity, history, taking action, and working in solidarity—each chapter builds on the lessons of the previous section. Underlined words are defined in the glossary, but Jewell unpacks concepts around race in an accessible way, bringing attention to common misunderstandings. Activities are included at the end of each chapter; they are effective, prompting both self-reflection and action steps from readers. The activities are designed to not be written inside the actual book; instead Jewell invites readers to find a special notebook and favorite pen and use that throughout. Combining the disruption of common fallacies, spotlights on change makers, the author’s personal reflections, and a call to action, this powerful book has something for all young people no matter what stage they are at in terms of awareness or activism.
Essential. (author’s note, further reading, glossary, select bibliography) (Nonfiction. 10-18)Pub Date: Jan. 7, 2020
ISBN: 978-0-7112-4521-1
Page Count: 160
Publisher: Frances Lincoln
Review Posted Online: Sept. 14, 2019
Kirkus Reviews Issue: Oct. 1, 2019
BOOK REVIEW
PROFILES
Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel.
Sure signs that the creative wells are running dry at last, the Captain’s ninth, overstuffed outing both recycles a villain (see Book 4) and offers trendy anti-bullying wish fulfillment.
Not that there aren’t pranks and envelope-pushing quips aplenty. To start, in an alternate ending to the previous episode, Principal Krupp ends up in prison (“…a lot like being a student at Jerome Horwitz Elementary School, except that the prison had better funding”). There, he witnesses fellow inmate Tippy Tinkletrousers (aka Professor Poopypants) escape in a giant Robo-Suit (later reduced to time-traveling trousers). The villain sets off after George and Harold, who are in juvie (“not much different from our old school…except that they have library books here.”). Cut to five years previous, in a prequel to the whole series. George and Harold link up in kindergarten to reduce a quartet of vicious bullies to giggling insanity with a relentless series of pranks involving shaving cream, spiders, effeminate spoof text messages and friendship bracelets. Pilkey tucks both topical jokes and bathroom humor into the cartoon art, and ups the narrative’s lexical ante with terms like “pharmaceuticals” and “theatrical flair.” Unfortunately, the bullies’ sad fates force Krupp to resign, so he’s not around to save the Earth from being destroyed later on by Talking Toilets and other invaders…
Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel. (Fantasy. 10-12)Pub Date: Aug. 28, 2012
ISBN: 978-0-545-17534-0
Page Count: 304
Publisher: Scholastic
Review Posted Online: June 19, 2012
Kirkus Reviews Issue: July 15, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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