Science fiction in name only.
Billed as edgy science fiction, this novel’s high-tech trappings conceal a genre romance with a hidden agenda.
Emery’s always had seizures that she experiences as time travel (she calls them “looping”). Increasingly disabling, they’ve weakened her body. Now she lives in the hospital, monitored by her widowed, neurologist father and his soulless scientist colleagues. While the looping experiences feel happy and serene, the transitions are killers. Emery’s kinder, gentler future father warns her they’ll get worse. A little boy she meets while time traveling urgently needs her help, and following his clues, Emery flees the hospital for a town in Michigan’s Upper Peninsula. Arriving, she notes, “Lawns were clutter-free, the shrubs trimmed even in this cold season. And there were no paint-chipped houses, no screen doors with holes. This was a place that people took pride in. I liked it.” Residents bearing European names exude rural worth. By now readers are aware they’re not in edgy, sci-fi country anymore, Toto, but metaphorical Kansas, and—iPod notwithstanding—Emery is 17 going on 75. Once she meets handsome, tortured Asher, her transformation is complete. Linko, who’s authored Christian children’s fiction, writes smoothly. Her story holds readers’ interest, but the ending’s bait-and-switch strategy—following shifts in tone and sharp turns in plotting (untied strings dangling)—will leave them feeling manipulated.
Science fiction in name only. (Paranormal romance. 12 & up)Pub Date: Oct. 23, 2012
ISBN: 978-0-375-86996-9
Page Count: 352
Publisher: Random House
Review Posted Online: Aug. 7, 2012
Kirkus Reviews Issue: Sept. 1, 2012
BOOK REVIEW
BOOK REVIEW
Exactly what the title promises.
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK TO SCREEN
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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