by Holly Jackson ‧ RELEASE DATE: Nov. 29, 2022
Intervals of intense suspense and a well-crafted puzzle blend to create a thrill ride of a story.
Red Kenny and her friends’ spring break road trip veers off course when they are detained by a sniper.
Since her police captain mother’s murder, Red has been inseparable from Maddy Lavoy, though it’s often difficult for Red to witness the warm family dynamics Maddy and her brother, Oliver, share with their mother, an assistant DA and Red’s late mother’s best friend. Red, the Lavoy siblings, and three other friends—Reyna Flores-Serrano, Arthur Moore, and Simon Yoo—embark in a borrowed RV on a journey to Gulf Shores but instead find themselves in the crosshairs of a long-range rifle held by a man demanding that one of them reveal an important secret. As Red battles internally with her guilt and grief over her mother’s death, her companions become increasingly volatile and paranoid as the group tries to discern whose secret is the one the hostage taker is after. The sometimes-tedious, sometimes-intense moment-by-moment breakdown of events in the 31-foot RV (that seems much smaller as the night wears on) magnifies the claustrophobia. Subtle indications that no one can really be trusted alternate with mind-blowing revelations. Toxic masculinity is often at war with common sense and good judgment, and moral ambiguity abounds. Red, Arthur, and the Lavoy siblings read White; Reyna is Mexican American, and Simon is cued as biracial (Korean and White). (This review has been updated to correct a character’s name.)
Intervals of intense suspense and a well-crafted puzzle blend to create a thrill ride of a story. (maps) (Thriller. 14-18)Pub Date: Nov. 29, 2022
ISBN: 978-0-593-37416-0
Page Count: 400
Publisher: Delacorte
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
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by Laura Nowlin ‧ RELEASE DATE: April 1, 2013
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
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SEEN & HEARD
by Kerri Maniscalco ‧ RELEASE DATE: Sept. 20, 2016
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging
Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.
The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-316-27349-7
Page Count: 336
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
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