Otherwise, a smooth and not-too-scary page-turner, with room in its conclusion for a third installment.
A group of social-climbing high-school girls makes a deal with a demon in this sassy, easily digestible horror story.
After saving her little sister Kasey from demonic possession in Bad Girls Don't Die (2009), pink-haired, confident Alexis hopes her time battling fiends is over. When Kasey starts high school, however, she falls in with the Sunshine Club, a group of girls who turn out to be involved with the demon Aralt, and Alexis, hoping to protect her sister, joins the club herself. Although it takes some time for Alexis to realize she has become possessed, her condition is no secret from readers. The author effectively blends Alexis' take-charge, nonconformist personality with Aralt's aggressively sunny, obsessively image-conscious influence. Life becomes easier with Aralt's help: Alexis heals quickly from injuries, manipulates her suspicious boyfriend and attracts the attention of well-placed adults, some of them also Aralt's devotees. The tension comes from watching Alexis' demon-fighting resolve weaken and uncovering clues about the true cost of Aralt's seeming benevolence. A few nasty fat jokes undercut the novel's ostensible stance against looks-related bullying, and using a girl who walks with a cane to represent the most desperate of losers is tasteless and unnecessary.
Otherwise, a smooth and not-too-scary page-turner, with room in its conclusion for a third installment. (Supernatural thriller. 12 & up)Pub Date: June 14, 2011
ISBN: 978-1-4231-3471-8
Page Count: 448
Publisher: Hyperion
Review Posted Online: May 3, 2011
Kirkus Reviews Issue: May 15, 2011
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This astonishing book will generate much-needed discussion.
After 15-year-old Will sees his older brother, Shawn, gunned down on the streets, he sets out to do the expected: the rules dictate no crying, no snitching, and revenge.
Though the African-American teen has never held one, Will leaves his apartment with his brother’s gun tucked in his waistband. As he travels down on the elevator, the door opens on certain floors, and Will is confronted with a different figure from his past, each a victim of gun violence, each important in his life. They also force Will to face the questions he has about his plan. As each “ghost” speaks, Will realizes how much of his own story has been unknown to him and how intricately woven they are. Told in free-verse poems, this is a raw, powerful, and emotional depiction of urban violence. The structure of the novel heightens the tension, as each stop of the elevator brings a new challenge until the narrative arrives at its taut, ambiguous ending. There is considerable symbolism, including the 15 bullets in the gun and the way the elevator rules parallel street rules. Reynolds masterfully weaves in textured glimpses of the supporting characters. Throughout, readers get a vivid picture of Will and the people in his life, all trying to cope with the circumstances of their environment while expressing the love, uncertainty, and hope that all humans share.
This astonishing book will generate much-needed discussion. (Verse fiction. 12-adult)Pub Date: Oct. 17, 2017
ISBN: 978-1-4814-3825-4
Page Count: 320
Publisher: Caitlyn Dlouhy/Atheneum
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
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