In flowing rhyme, Scanlon zooms outwards from smallness to bigness: “Rock, stone, pebble, sand / Body, shoulder, arm, hand / A moat to dig, / a shell to keep / All the world is wide and deep.” Watercolor-and-line illustrations show several beach close-ups of siblings playing before pulling back to reveal the seashore and cove. Next: “Hive, bee, wings, hum / Husk, cob, corn, / yum! / Tomato blossom, fruit so red / All the world’s a garden bed.” Close-up on people tending bees and plants, then a broad double-page spread of farmstands and fields. Frazee connects all scenes with black pencil lines of shading, texture and motion. Her gift at drawing postures graces every page as multicolored families climb trees, get drenched by rain, seek a lit café at twilight and play in a musical jam session. An occasional grumpy child and wailing baby prevents idealization, but it’s hard to imagine a cozier and more spacious world. At once a lullaby and an invigorating love song to nature, families and interconnectedness. (Picture book. 2-5)
