by Michael L. Cooper ‧ RELEASE DATE: Feb. 1, 1997
A look at the double struggle of black soldiers in WW I- -against the enemy abroad, and against the prejudice that resided closer to home. Cooper shows the wide gulf between these soldiers' heroism on the front and their treatment behind the lines in the first world war. One New York unit, described by its commander as ``a self-made regiment, started without traditions, without education, without friends,'' received rifles only after the government was tricked into supplying them, and was not allowed to march in a farewell parade before embarking for France. Cooper vigorously describes the exploits of the 93rd Division, which fought under French command and earned the name ``Hell Fighters,'' noting the harsh experiences of noncombatants and the inglorious 92nd Division in less detail; besides its many decorations, the 93rd did indeed parade upon its return to New York, marching up Fifth Avenue and ``through Harlem singing and laughing.'' Enhanced by a sheaf of black-and-white photographs, plus side essays on the Houston Riot, the forced retirement of Charles Young, the US's highest ranking African-American at the beginning of the war, and other topics, this makes an absorbing companion to Catherine Reef's Black Fighting Men (1994) or a lead-in to Cooper's social history of the postwar years, Bound for the Promised Land (1995). (Nonfiction. 10-12)
Pub Date: Feb. 1, 1997
ISBN: 0-525-67534-5
Page Count: 65
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1996
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by Peter Jennings & Todd Brewster ‧ RELEASE DATE: Oct. 1, 1999
Just in time for the millennium comes this adaptation of Jennings and Brewster’s The Century (1998). Still a browsable, coffee-table edition, the book divides the last 100 years more or less by decade, with such chapter headings as “Shell Shock,” “Global Nightmare,” and “Machine Dreams.” A sweeping array of predominantly black-and-white photographs documents the story in pictures—from Theodore Roosevelt to O.J., the Panama Canal to the crumbling Berlin Wall, the dawn of radio to the rise of Microsoft—along with plenty of captions and brief capsules of historical events. Setting this volume apart, and making it more than just a glossy textbook overview of mega-events, are blue sidebars that chronicle the thoughts, actions, and attitudes of ordinary men, women, and children whose names did not appear in the news. These feature-news style interviews feature Milt Hinton on the Great Migration, Betty Broyles on a first automobile ride, Sharpe James on the effect of Jackie Robinson’s success on his life, Clara Hancox on growing up in the Depression, Marnie Mueller on life as an early Peace Corps volunteer, and more. The authors define the American century by “the inevitability of change,” a theme reflected in the selection of photographs and interviews throughout wartime and peacetime, at home and abroad. While global events are included only in terms of their impact on Americans, this portfolio of the century is right for leafing through or for total immersion. (index) (Nonfiction. 9-12)
Pub Date: Oct. 1, 1999
ISBN: 0-385-32708-0
Page Count: 245
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
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by Taylor Morrison ‧ RELEASE DATE: April 1, 1999
It took four weeks for illustrations of scenes from the US’s Civil War battles to make it from the front lines to readers’ hands; Morrison (Cheetah, 1998, etc.) explains that process in his uniquely handsome book. Morrison introduces the fictional artist, William Forbes, commissioned by the fictional Burton’s Illustrated News to follow the Union Army into battle at Bull Run. Throughout the day’s fighting Forbes makes quick sketches; it is risky business, and he is often in mortal peril. That night he makes a more complete drawing, which is handed to a courier and taken back to the Burton offices. There, engravers set to work translating Forbes’s drawing to a grid of wood blocks (Morrison includes interesting incidentals along the way, giving the process its due). The images are converted to electrotype, whereafter it is finally ready for the operators and pressman. Shortly after that, the newsboys are seen hawking the illustrated weekly, containing Forbes’s image a mere month after the actual event. Morrison successfully renders the complexities of illustrating newspapers 150 years ago, and just as successfully conveys that in abandoning the wood block for the photograph, some of the art was sacrificed for speed. (glossary) (Picture book. 6-10)
Pub Date: April 1, 1999
ISBN: 0-395-91426-4
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1999
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