It’s just good writing, and good writing always works.
This sweet, realistic tale of a girl’s first love proves that young romance fans don’t need vampires, werewolves or other assorted immortals to enjoy a book about love in their age group.
Chelsea has mixed feelings about spending the family vacation in her family’s pretty little cottage near the shore of Lake Michigan. Granly—her grandmother—passed away the previous winter, and Chelsea misses her. She sets off to find a book in the nearby little town and meets Josh, who works at the bookstore. Dalton’s sensitive writing makes it clear that both teens experience immediate attraction to one another, but their natural insecurity in their first romance makes each doubt that the other feels the same. Chelsea looks to her older, more experienced sisters for advice, while Josh simply yields to temptation and plants a sudden kiss on Chelsea. With their intentions declared, Chelsea takes a job as a waitress next door to Josh’s bookstore, where the drama continues. The completely believable and likable characters, the small town and its often-quirky inhabitants, the waitressing job and, especially, the up-and-down relationship between Chelsea and Josh come across with such realism that readers will recognize these characters as actual people like themselves. Drawn with keen emotional insight, this lovely little novel comes as a warm breeze in the current storm of paranormal romantic fiction.
It’s just good writing, and good writing always works. (Romance. 12 & up)Pub Date: May 7, 2013
ISBN: 978-1-4424-7267-9
Page Count: 272
Publisher: Simon Pulse/Simon & Schuster
Review Posted Online: March 5, 2013
Kirkus Reviews Issue: April 1, 2013
BOOK REVIEW
Exactly what the title promises.
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK TO SCREEN
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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