This installment feels a bit like a rest between the trauma of The Doom and the war to come except for an explosive end...
In this sequel to Roberts' apocalyptic Year One (2017), the world settles into its new normal after The Doom. The girl who will be The One reaches her 13th birthday, makes the choice to train with her magical mentor, and steps into her many gifts, then must find allies to prepare for the war to come.
The Doom has killed billions, and the survivors have aligned themselves into different factions, with various priorities. Many have discovered magical abilities; many who don’t have them hunt those who do. Governments have failed, electricity is scarce, industrial production is practically nonexistent, so in order to survive, people must produce or scavenge food and goods. Thirteen years later, New Hope is thriving, magicks and normals banding together for protection and community. Meanwhile, Fallon Swift, raised on a remote farm with her mother, stepfather, and three younger brothers, has learned the basics of survival but knows that when she turns 13, she’s expected to leave with the mysterious Mallick and train for two years, preparing to step into her role as The One, destined to save the world. When the time comes, she goes with him into a mystical forest populated with elves and faeries, where she studies spells, trains with swords, and spars with ghostly figures in order to build her strength and abilities. On the way she finds allies of every variety, including three spirit animals who represent aspects of her powers and humanity that enhance her ability to lead. She also meets a shadowy figure in her dreams who becomes more real once she’s able to travel across spaces in a flash. She realizes he’s a son of New Hope and guesses that their destinies are tied closely together along with his twin sister’s. Change is coming, and it’s up to them to create a new, better world—or die trying. Roberts continues her apocalyptic Chronicles of The One with a mesmerizing follow-up that is bold and breathtaking. Focusing mainly on Fallon’s rise, the plot offers details and vignettes that glimpse the horror and trauma of the past 15 years and introduces the characters who presumably will frame the future.
This installment feels a bit like a rest between the trauma of The Doom and the war to come except for an explosive end battle; however, meeting the next generation and watching the heroine grow into her powers and leadership is enthralling.Pub Date: Dec. 4, 2018
ISBN: 978-1-250-12299-5
Page Count: 464
Publisher: St. Martin's
Review Posted Online: Sept. 17, 2018
Kirkus Reviews Issue: Oct. 1, 2018
A breezy and fun contemporary fantasy.
A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.
Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.
A breezy and fun contemporary fantasy.Pub Date: March 17, 2020
ISBN: 978-1-250-21728-8
Page Count: 352
Publisher: Tor
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
PERSPECTIVES
A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.
After 1,000 years of peace, whispers that “the Nameless One will return” ignite the spark that sets the world order aflame.
No, the Nameless One is not a new nickname for Voldemort. Here, evil takes the shape of fire-breathing dragons—beasts that feed off chaos and imbalance—set on destroying humankind. The leader of these creatures, the Nameless One, has been trapped in the Abyss for ages after having been severely wounded by the sword Ascalon wielded by Galian Berethnet. These events brought about the current order: Virtudom, the kingdom set up by Berethnet, is a pious society that considers all dragons evil. In the East, dragons are worshiped as gods—but not the fire-breathing type. These dragons channel the power of water and are said to be born of stars. They forge a connection with humans by taking riders. In the South, an entirely different way of thinking exists. There, a society of female mages called the Priory worships the Mother. They don’t believe that the Berethnet line, continued by generations of queens, is the sacred key to keeping the Nameless One at bay. This means he could return—and soon. “Do you not see? It is a cycle.” The one thing uniting all corners of the world is fear. Representatives of each belief system—Queen Sabran the Ninth of Virtudom, hopeful dragon rider Tané of the East, and Ead Duryan, mage of the Priory from the South—are linked by the common goal of keeping the Nameless One trapped at any cost. This world of female warriors and leaders feels natural, and while there is a “chosen one” aspect to the tale, it’s far from the main point. Shannon’s depth of imagination and worldbuilding are impressive, as this 800-pager is filled not only with legend, but also with satisfying twists that turn legend on its head. Shannon isn’t new to this game of complex storytelling. Her Bone Season novels (The Song Rising, 2017, etc.) navigate a multilayered society of clairvoyants. Here, Shannon chooses a more traditional view of magic, where light fights against dark, earth against sky, and fire against water. Through these classic pairings, an entirely fresh and addicting tale is born. Shannon may favor detailed explication over keeping a steady pace, but the epic converging of plotlines at the end is enough to forgive.
A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.Pub Date: Feb. 26, 2019
ISBN: 978-1-63557-029-8
Page Count: 848
Publisher: Bloomsbury
Review Posted Online: Dec. 22, 2018
Kirkus Reviews Issue: Jan. 15, 2019
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
