Quiet and somber, but still deeply satisfying.
The third (and final?) Fever Crumb story reminds readers of the serious themes beneath Reeve’s often madcap, always entertaining tales.
Following the events of A Web of Air (2011), a subdued Fever has returned to London. It’s not long before she heads north with her mother, following rumors that a mysterious structure that may hold the key to Stalker brains has been breached. Meanwhile, London nears the mobility it will enjoy years into the future (Mortal Engines, 2003, etc.), but the northern nomads are ready to challenge London based on a young girl’s prophetic dreams. Whew! Beneath the plot run three narratives: of Fever, discovering the truth about the Scriven and her own humanity; of Cluny Morvish, reluctant prophet and, it turns out, another of Godshawk’s experiments; and of Charley Shallow, who once tried to kill Fever and is now an upstanding young sociopath who pulls a lot of strings. There are few truly happy moments here, and lots of violence, but the rich worldbuilding continues to hold surprises, and the writing never falters. Most hopeful—although perhaps unexpected—is a possible romance for Fever; the not-fully-resolved ending leaves hope that the feelings might be reciprocated. The implication that only away from London and science can Fever find happiness echoes the themes and tensions between technology and nature Reeve has explored throughout this and the Hungry Cities quartet.
Quiet and somber, but still deeply satisfying. (Steampunk. 13 & up)Pub Date: Nov. 1, 2012
ISBN: 978-0-545-22218-1
Page Count: 352
Publisher: Scholastic
Review Posted Online: Dec. 1, 2012
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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