A slow and almost dreamlike exploration of the myriad ways that the past—especially a cataclysmic past—informs the present. Zazoo, almost 14 at the opening, was adopted from Vietnam at the age of two and lives in an old mill by a French canal with the man she calls Grand-Pierre; he’s the lock-keeper. As Grand-Pierre’s memory fades, a mysterious and attractive young man bicycles into Zazoo’s life, asking questions. Soon Zazoo finds herself probing the past that created her Grand-Pierre, M. Klein, the elderly Jewish pharmacist who alone among the villagers shows no love for Grand-Pierre, and herself, orphaned by a landmine in a later war. Mosher’s (The Taxi Navigator, 1996) sense of setting is luminous, and the descriptions of life along the canal evoke Wind in the Willows in their watery beauty. The slow revelation of the many intertwined personal histories is truly elegant, and the several love stories that emerge are almost painfully romantic. Zazoo’s voice is honest and distinct as she tells her story; the secondary characters develop with real three-dimensional complexity as well. This is a story of memory and contemplation, not action, with most of the elements unfolding slowly over the course of a year through dialogue and reminiscence. It is perhaps over-constructed in its piecing together of the various plot elements and its drive to tie them up neatly by the end, but patient readers will find themselves forgiving this and the slow pace in their involvement with the language and the characters’ evolving relationships, particularly the glorious symbiosis achieved by Zazoo and her Grand-Pierre. (Fiction. YA)
Pub Date: Oct. 15, 2001
ISBN: 0-618-13534-0
Page Count: 255
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2001
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
A standing ovation.
Tackles family secrets, toxic masculinity, and socio-economic differences with incisive clarity and candor.
Camino Rios lives in the Dominican Republic and yearns to go to Columbia University in New York City, where her father works most of the year. Yahaira Rios, who lives in Morningside Heights, hasn’t spoken to her dad since the previous summer, when she found out he has another wife in the Dominican Republic. Their lives collide when this man, their dad, dies in an airplane crash with hundreds of other passengers heading to the island. Each protagonist grieves the tragic death of their larger-than-life father and tries to unravel the tangled web of lies he kept secret for almost 20 years. The author pays reverent tribute to the lives lost in a similar crash in 2001. The half sisters are vastly different—Yahaira is dark skinned, a chess champion who has a girlfriend; Camino is lighter skinned, a talented swimmer who helps her curandera aunt deliver neighborhood babies. Despite their differences, they slowly forge a tenuous bond. The book is told in alternating chapters with headings counting how many days have passed since the fateful event. Acevedo balances the two perspectives with ease, contrasting the girls’ environments and upbringings. Camino’s verses read like poetic prose, flowing and straightforward. Yahaira’s sections have more breaks and urgent, staccato beats. Every line is laced with betrayal and longing as the teens struggle with loving someone despite his imperfections.
A standing ovation. (Verse novel. 14-18)Pub Date: May 5, 2020
ISBN: 978-0-06-288276-9
Page Count: 432
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 1, 2020
Kirkus Reviews Issue: March 15, 2020
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