by Robb Forman Dew ‧ RELEASE DATE: March 23, 1992
After her mediocre second novel (The Time of Her Life, 1984), Dew resurrects the Howells family from her stunning debut, Dale Loves Sophie to Death (1981), and proves, once again, that common sense and elegant prose can transform ordinary lives into compelling fiction. Since last heard from, the Howells (``the world's last happy family'') have endured their share of tragedy. The death of son Toby in a car accident remains ``unresolved'' for the rest of the family six years later, as oldest son David prepares to leave for Harvard. Martin and Dinah, now in their 40s, spend this summer sorting out their emotional lives as parents—and as people of impeccable honor, manners, and good taste. Which, in Dew's view, doesn't mean they're heavily repressed. These are well-meaning, liberalish parents who enjoy life in their college town (a thinly disguised Williamstown, Mass.), where Martin teaches and Dinah maintains ``the physical equilibrium of their domestic arrangements.'' Dinah's unconditional and overwhelming love for her children doesn't prevent her from mothering those who stray onto her always open hearth. This summer, Netta Breckenridge, a young, hyperintense philosopher, wanders into view, along with her sad little daughter. While Dinah frets over Martin's fascination with the brilliant instructor, she fails to realize the obvious—her little boy David is now a young man with intellectual and sexual appetites of his own. As Dinah fears the various threats to her admittedly arbitrary domestic order, Martin tries to make peace with the boy who inadvertently killed his son. Throughout here, Dinah rewrites a letter solicited by Harvard's Dean of Students about her son. It's a rather trite way of marking her progress through this summer of ``letting go''—and unworthy of the more profound insight into parenthood that distinguishes this emotionally precise novel. Despite some glaring loose ends—will we hear from the Howells again?—this is a defiantly small fiction and, in its way, an extraordinary tale of how self-identity emerges from the bonds of family.
Pub Date: March 23, 1992
ISBN: 0-688-10781-8
Page Count: 288
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1992
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by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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SEEN & HEARD
by Kristin Hannah ‧ RELEASE DATE: July 1, 2002
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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