An alarmingly relevant book that mirrors current events.
In 1965, a group of 104 teachers led by the Rev. F.D. Reese peacefully marched to the Dallas County Courthouse in Selma, Alabama, demanding Black citizens’ right to register to vote.
Reese, a science teacher at R.B. Hudson High School as well as pastor at Ebenezer Missionary Baptist Church, got the idea of a teachers march while walking the halls of his school. After a recent march at which he and several other participants were beaten and turned away from the county courthouse, he decided that the way to make people take notice was to have teachers, the “somebody somebodies of the community,” stand up and fight for their rights. After seeing Dr. Martin Luther King Jr. on television, Reese wrote a letter to Dr. King asking him to come to Selma to speak, and he did. After Dr. King’s address before 700 people at Brown Chapel, the teachers took to the streets protesting for their right to vote. This little-known march during the civil rights era is considered the catalyst for the other marches that shortly followed. This book does a masterful job of detailing the impetus for the teachers march. It is clearly communicated that the march was not spontaneous but carefully thought out—down to the teachers’ packing food and toothbrushes in case they were arrested. Palmer’s brushy paintings are full of color, detail, and emotion. The narrative is well paced and will work brilliantly as a read-aloud for patient, older preschoolers and early elementary–age children, and it should spark many a conversation about race and protest. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 75% of actual size.)
An alarmingly relevant book that mirrors current events. (author’s note, illustrator’s note, timeline, bibliography, sites to visit) (Informational picture book. 5-8)Pub Date: Sept. 28, 2020
ISBN: 978-1-62979-452-5
Page Count: 44
Publisher: Calkins Creek/Boyds Mills
Review Posted Online: June 29, 2020
Kirkus Reviews Issue: July 15, 2020
A sweet and endearing feathered migration.
A relationship between a Latina grandmother and her mixed-race granddaughter serves as the frame to depict the ruby-throated hummingbird migration pattern.
In Granny’s lap, a girl is encouraged to “keep still” as the intergenerational pair awaits the ruby-throated hummingbirds with bowls of water in their hands. But like the granddaughter, the tz’unun—“the word for hummingbird in several [Latin American] languages”—must soon fly north. Over the next several double-page spreads, readers follow the ruby-throated hummingbird’s migration pattern from Central America and Mexico through the United States all the way to Canada. Davies metaphorically reunites the granddaughter and grandmother when “a visitor from Granny’s garden” crosses paths with the girl in New York City. Ray provides delicately hashed lines in the illustrations that bring the hummingbirds’ erratic flight pattern to life as they travel north. The watercolor palette is injected with vibrancy by the addition of gold ink, mirroring the hummingbirds’ flashing feathers in the slants of light. The story is supplemented by notes on different pages with facts about the birds such as their nest size, diet, and flight schedule. In addition, a note about ruby-throated hummingbirds supplies readers with detailed information on how ornithologists study and keep track of these birds.
A sweet and endearing feathered migration. (bibliography, index) (Picture book. 5-8)Pub Date: May 7, 2019
ISBN: 978-1-5362-0538-1
Page Count: 32
Publisher: Candlewick
Review Posted Online: March 26, 2019
Kirkus Reviews Issue: April 15, 2019
Hundreds of pages of unbridled uplift boiled down to 40.
From two Nobel Peace Prize winners, an invitation to look past sadness and loneliness to the joy that surrounds us.
Bobbing in the wake of 2016’s heavyweight Book of Joy (2016), this brief but buoyant address to young readers offers an earnest insight: “If you just focus on the thing that is making / you sad, then the sadness is all you see. / But if you look around, you will / see that joy is everywhere.” López expands the simply delivered proposal in fresh and lyrical ways—beginning with paired scenes of the authors as solitary children growing up in very different circumstances on (as they put it) “opposite sides of the world,” then meeting as young friends bonded by streams of rainbow bunting and going on to share their exuberantly hued joy with a group of dancers diverse in terms of age, race, culture, and locale while urging readers to do the same. Though on the whole this comes off as a bit bland (the banter and hilarity that characterized the authors’ recorded interchanges are absent here) and their advice just to look away from the sad things may seem facile in view of what too many children are inescapably faced with, still, it’s hard to imagine anyone in the world more qualified to deliver such a message than these two. (This book was reviewed digitally.)
Hundreds of pages of unbridled uplift boiled down to 40. (Picture book. 6-8)Pub Date: Sept. 27, 2022
ISBN: 978-0-593-48423-4
Page Count: 40
Publisher: Crown
Review Posted Online: Aug. 30, 2022
Kirkus Reviews Issue: Sept. 15, 2022
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