Crime fiction that gives chaos an entertaining ride.
After a cellphone containing "hot documents" that spell trouble for a legally embroiled New York bank gets pickpocketed, the corporate law firm representing the bank turns to a government fixer with serious CIA experience to limit the damage.
The mobile device contains texts, emails, and memos revealing that the Calcott Corporation has been illicitly funneling money to a shell company in Oman. Should that information become public, it would tip the scales of a federal law suit Calcott is defending following a failed merger. The phone was swiped—or made to look like it was swiped—from a young lawyer on the team representing Calcott. Faced with recovering the phone and dealing with the shady parties into whose hands it's fallen, Elizabeth Carlyle, the imposing but easily unnerved head of the firm, calls upon glamorous ex–CIA case officer Valencia Walker to save the day. A problem-solver of high repute, Valencia traces the phone to three hustling Jewish Russian brothers in Brooklyn. They're easily enough dealt with, but the same can't be said of their powerful Uncle Yakov, whom neither they nor Valencia want to rub the wrong way. But Yakov proves to be small-time compared to the hidden schemers at work here. An enjoyably hard-boiled yarn streaked with noir effects, Hoffman's follow-up to Every Man a Menace (2016) is a skillfully orchestrated effort that achieves its most outlandish effects with nifty understatement. It is a book of constantly moving parts and constantly moving vehicles, as characters race across New York City to avert disaster. Ultimately, the author is less concerned with the human cost—little feeling is attached to characters' deaths—than the long reach of corruption in the modern era.
Crime fiction that gives chaos an entertaining ride.Pub Date: June 2, 2020
ISBN: 978-0-8021-2953-6
Page Count: 288
Publisher: Atlantic Monthly
Review Posted Online: March 29, 2020
Kirkus Reviews Issue: April 15, 2020
BOOK REVIEW
BOOK REVIEW
A grim yet gleefully gratifying tale of lost innocence and found family.
A woman fears she made a fatal mistake by taking in a blood-soaked tween during a storm.
High winds and torrential rain are forecast for “The Middle of Nowhere, New Hampshire,” making Casey question the structural integrity of her ramshackle rental cabin. Still, she’s loath to seek shelter with her lecherous landlord or her paternalistic neighbor, so instead she just crosses her fingers, gathers some candles, and hopes for the best. Casey is cooking dinner when she notices a light in her shed. She grabs her gun and investigates, only to find a rail-thin girl hiding in the corner under a blanket. She’s clutching a knife with “Eleanor” written on the handle in black marker, and though her clothes are bloody, she appears uninjured. The weather is rapidly worsening, so before she can second-guess herself, former Boston-area teacher Casey invites the girl—whom she judges to be 12 or 13—inside to eat and get warm. A wary but starving Eleanor accepts in exchange for Casey promising not to call the police—a deal Casey comes to regret after the phones go down, the power goes out, and her hostile, sullen guest drops something that’s a big surprise. Meanwhile, in interspersed chapters labeled “Before,” middle-schooler Ella befriends fellow outcast Anton, who helps her endure life in Medford, Massachusetts, with her abusive, neglectful hoarder of a mother. As per her usual, McFadden lulls readers using a seemingly straightforward thriller setup before launching headlong into a series of progressively seismic (and increasingly bonkers) plot twists. The visceral first-person, present-tense narrative alternates perspectives, fostering tension and immediacy while establishing character and engendering empathy. Ella and Anton’s relationship particularly shines, its heartrending authenticity counterbalancing some of the story’s soapier turns.
A grim yet gleefully gratifying tale of lost innocence and found family.Pub Date: Oct. 7, 2025
ISBN: 9781464260919
Page Count: 288
Publisher: Poisoned Pen
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
SEEN & HEARD
SEEN & HEARD
Feeney improves on her debut with a taut suspense plot, many gleeful twists and turns, and suspects galore.
A news presenter and a police detective are brought together by murders in the British village where they both grew up.
There is precious little that can be revealed about the plot of Feeney’s third novel without spoilers, as the author has woven surprises and plot twists and suspicious linkages into nearly every one of her brief, first-person chapters, written in three alternating narrative voices. “Hers” is Anna Andrews, a wannabe anchor on a BBC news program whose lucky break comes when the body of one of her school friends is found brutally murdered in their hometown, a woodsy little spot called Blackdown. “His” is DCI Jack Harper, head of the Major Crime Team in Blackdown, where major crimes were rather few until now. The third is unnamed but clearly the killer’s. Happily, none of the three is an unreliable narrator—good thing because plenty of people are sick of that—but none is exactly 100% forthcoming either. Which only makes sense, because you can't have reveals without secrets. In a small town like Blackdown, everybody knows everybody, so it’s not too surprising that Anna and Jack have a tragic past or that each has connections to all the victims and suspects while not being totally free from suspicion themselves. Who is that sneaky third narrator? On the way to figuring that out, expect high school mean girls, teen lesbian action, mutilated corpses, nasty things happening to kittens, and—as seems de rigueur in British thrillers—plenty of drinking and wisecracks, sometimes in tandem. “Sadly, my sister has the same taste in wine as she does in men; too cheap, too young, and headache-inducing.”
Feeney improves on her debut with a taut suspense plot, many gleeful twists and turns, and suspects galore.Pub Date: July 28, 2020
ISBN: 978-1-250-26608-8
Page Count: 320
Publisher: Flatiron Books
Review Posted Online: May 3, 2020
Kirkus Reviews Issue: May 15, 2020
BOOK TO SCREEN
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