Rachel Kenney and Jesse Vilinsky each deliver spellbinding interpretations of Alice McDermott's superb new novel. Set primarily in 1960s Vietnam, the audiobook explores the lives of wives-- "helpmeets"--who accompanied their American husbands to a country on the brink of war. Through a series of letters written years later, we hear first from Patricia, a naïve New Yorker swept up by masterful do-gooder Charlene. Kenney performs the remarkable feat of personifying the young Tricia and her wry older self, fierce Charlene, and many local Vietnamese and GIs. Vilinsky, as Charlene's daughter, Rainey, creates an invaluable vocal throughline for the characters while crafting a believable adult child tussling with the legacy of a complicated parent. Alternately gripping, moving, and thought-provoking, this is an audiobook to savor.
Pub Date: Oct. 31, 2023
Duration: 10 hrs
DD ISBN: 9781250911094
Publisher: Macmillan Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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