Author Amy Bloom's novelization of the romance between former First Lady Eleanor Roosevelt and journalist Lorena "Hick" Hickok from the 1930s to 1962 highlights the spirit of their relationship. Hick's pragmatic personality and wry sense of humor, well portrayed by narrator Tonya Cornelisse, determine the production's point of view, pace, and tone. Eleanor's patrician elocution and humanitarian sensibilities are depicted without imitation. Listeners discover the scope of the women's connection through various lenses, such as shared childhood tales on a train trip and a letter from Eleanor's cousin Parker Fiske. Cornelisse delivers these sections in a style that adds emotional dimension to the story. National and international events, such as the 1939 World's Fair, WWII, and FDR's four-term presidential tenure, help provide context to the women's lives.
Pub Date: Feb. 13, 2018
Duration: 6 hrs, 45 mins
DD ISBN: 9780525630463
Publisher: Random House Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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