Narrator Lincoln Hoppe's delivery is measured as he gives unique personalities to the characters in Graff's debut novel. Fish and Bread are two 10-year-old boys who are on the run in the northern Wisconsin wilderness after Fish shoots Bread's father in the head. They speak in short, declarative sentences as they navigate the wilderness, their fear, and the weight of their actions. Teddy, Fish's wise grandfather, and Cal, a transplanted Texan who is the new sheriff, are on their trail. Teddy's gruff voice is often impatient as he deals with the sheriff's lack of knowledge and experience. Cal lacks a Texas drawl as he navigates his doubts and the new world he finds himself in. Fish's mother, Miranda; 20-something Tiffany; and Constable Bobby add further dimension to the story.
Pub Date: March 23, 2021
Duration: 11 hrs, 45 mins
DD ISBN: 9780063031937
Publisher: Harper Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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