Adenrele Ojo's narration doesn't help the listener navigate this sprawling tale of the Turner family, with its 13 children. Focused on Cha-Cha, the eldest, and Lelah, the youngest, the audiobook wends its way through time frames: 1958, when Cha first sees the haint; the present day, when the blighted neighborhood casts a shadow on the family home; and the 1940s, when Francis was part of the Great Migration that established the family in this once prosperous neighborhood. Incongruous pauses in Ojo's narration and a huge cast of characters lacking distinctive voices challenge the listener's enjoyment and comprehension. The dialogue, which is in dialect, would have been enhanced by the use of pacing, tone, and inflection to distinguish the speakers.
Pub Date: April 15, 2015
Duration: 12 hrs, 15 mins
DD ISBN: 9781504612661
Publisher: Blackstone Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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