Laura Benanti gives a superb narration of this absorbing novel about the eugenics movement in early-twentieth-century America. Mary is the 18-year-old secretary of Dr. Agnes Vogel, superintendent of a facility for "feebleminded women of childbearing age." Benanti provides authentic voices for the large cast, including the staff and inmates of the facility, as well as residents of the rural Pennsylvania community in which it is located. She captures the refined yet adamant tone of Dr. Vogel and portrays the attitudes of others who promote the segregation of women from poor backgrounds whose views and experiences with race, sexuality, and/or marriage conflict with the social norms of that time. Benanti gives a vibrant depiction of a sad chapter in American history.
Pub Date: May 31, 2022
Duration: 12 hrs, 45 mins
DD ISBN: 9781797141473
Publisher: Simon & Schuster Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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