Hanako Footman brings gravitas and humor to this psychologically insightful novel based on the true crime of a gourmet cook/con woman/serial killer. Using a clever ploy, journalist Rika secures a meeting with taciturn Manako Kajii in her Tokyo jail cell. Imprisoned for the deaths of three wealthy businessmen, Kajii refuses to talk about her case but willingly talks about food, especially the joys of butter. Descriptions of mouthwatering Japanese dishes fill their meetings. Footman's performance makes it impossible to look away as Rika's life undergoes dramatic shifts and she loses her sense of self. Rife with stunning social commentary, misogyny, fat shaming, and the transformative power of food, Yuzuki's lush writing and Footman's artful delivery make this audiobook a sensual pleasure.
Pub Date: April 16, 2024
Duration: 17 hrs, 15 mins
DD ISBN: 9780063236431
Publisher: Harper Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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