In a clear, bright voice, Rachel L. Jacobs performs this implausible story of Bonnie Lincoln's attempts to escape her life. After winning a large sum of money in a lottery, Lincoln builds a fantasy world by cloning the apartment of the TV hit "Three's Company." Isolating herself in the mountain retreat, she plans to act out all the episodes of her favorite show, to become the characters, and escape the world, but her best friend, Krystal, won't let her. Jacobs voices Lincoln as cynical and miserable--a woman who dreams of shutting out everyone. Jacobs's slow pacing, bordering on the soporific, pulls this improbable story forward as the bitter protagonist describes her unhappy life, her precious dream, and her all-consuming desire to leave the world behind.
Pub Date: Jan. 22, 2022
Duration: 9 hrs, 45 mins
Publisher: OrangeSky Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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